"Poor Artists. Poor You. Everyone's Picking on You!"

In case you didn't recognize it, this title refers to Stanley Stucci's put down of Anne Hathaway in the film The Devil Wears Prada. Hathaway thought she was way above the meticulous and sharp fashion magazine editor Meryl Streep (after VOGUE's Anna Wintour), and realizes she's NOT!

Stan Stucci, who has been ordered to train this neophyte, takes her to the stock room to pick out dresses to present to Mme. VOGUE for the magazine's next edition.

Do you want me to say, "Poor you. Miranda's picking on you. Poor you. Poor Andy"? Hmm? Wake up, six. She's just doing her job. Don't you know that you are working at the place that published some of the greatest artists of the century? Halston, Lagerfeld, de la Renta. And what they did, what
These days artts curators and all those fols mannng (umm) those contemporary art galleyres need ot be coddled and led. OF course the varous governmental arts councls do a brllant job of that frsbeenng out ther varous grants for the "best behaved."

The Art Gallery of Mississauga is no different.


Poor Kendra. Poor you!

Here is Kendra Ainsworth (poor poor Kendra), curator of contemporary art at the AGM, standing in awe before the quack artist Libby Hague (well that is an oxymoron since all modern and post-modern artists are quacks) who herself looks like she needs some kind of consolation from some force higher than HER. I can fit that role! No. On second thoughts, one cannot wean decades of dependency on government grants: i.e. Free Money. And fakery.