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Showing posts with label Society. Show all posts
Showing posts with label Society. Show all posts

Wednesday, June 28, 2017

Identity


Blue Nile Falls

This is an email I sent to a correspondent:
My cousin...was here the other day with her children as well as her brother and his wife.

It is interesting. She stopped her memoir as she entered Canada. I was right about her reticence to write about her Canadian "experience."

[...]

She told me she is [now] writing a "fiction.

[...]

She brought up "identity" as part of her concern in her book...

I told her that "identity" in Canada was always going to be an issue for her (and people like her, although didn't say that).

"Ethiopia is going through some kind of renaissance. Why don't you and your family figure out a way to return? To go 'back home?' You came here through the most difficult way possible (they crossed deserts and countries before reaching Djibouti and finally coming to Canada as "refugees.")

Don't worry about culture and language. Both, especially for Ethiopians who live the culture daily, are easy to regain. Your children (they don't speak Amharic but understand it) will easily pick it up.

A country is a big thing. Everyone needs one."

She (and her brother) were listening to me intently.

I am glad I attended the dinner. I was curious to see what she would do after her "memoir."

[...]

I also said that in general that people like my father, important people ("big people" in the Amharic literal translation) could set an example and make the exodus back home. My parents have bought two houses from the inheritance house (which they sold at a fantastic price to high-rise developers) in Addis Abeba. They go back now every few months. They have invited me again in November but I have declined the invitation.

They could set an example for all these destitute, culturally bereft Ethiopians by returning (to Ethiopia). A courageous exodus.

Ethiopia is undergoing a "renaissance," I told them at the dinner. "After famines, revolutions, communist governments, ethnic wars, it still stands. Ethiopia, and Ethiopians and specially the Amhara, is resilient. It has withstood incursions and invasions through the centuries. The Amhara are still Amhara. Ethiopia is still Ethiopia. You could be part of this renaissance."

My father was quiet but I could see that he was stunned. He didn't expect me to say these things openly, although he knows my views.

I didn't plan this either. It was as though I HAD to do this. And I'm glad I followed this direction.

My cousins left without rancor or ill-feelings. I have told the truth, and they know it.
Interestingly, the last part I said, "Ethiopia, and Ethiopians and specially the Amhara, is resilient," is almost a direct quote from what her father said to them as they started their journey across the desert, which she discusses in her interview with the CBC. I hadn't listened to this part of the interview until today.

She says about her father (my father's now deceased brother):
He grew up hearing about Ethiopians defeating a common enemy and keeping Ethiopia independent for centuries. Ethiopians were very proud people then and I'm sure they still are. So he has that in him. This desert wasn't going to defeat him. He's done it. His ancestors have done it before. And that kept us very strong, because he was 100 per cent sure we would make it.
I am simply telling her to make that journey in reverse, so much easier now that they have so much more than those clothes on their backs when they crossed that desert.

Then they can be Ethiopians once again.

Saturday, May 20, 2017

Richard Florida:
The Failure Who Wont Admit His Errors


Richard Florida: Posing by a Hip, Diverse, Creative Space of a Graffiti Wall Somewhere in a Creative City

Florida is out promoting his new book:
The New Urban Crisis: How Our Cities Are Increasing Inequality, Deepening Segregation,
and Failing the Middle Class - and What We Can Do About It.


------------------------------------------------------------------------------------------------------------------------------

Richard Florida came on the scene about ten years ago. I caught on the falseness of his ideas and wrote about them then. Here are some quotes from posts I did on him following interviews he had on Television Ontario with Steve Paiken on The Agenda.
Florida, who declared half way that he was more of an NDPer then a Liberal, making him in the far left sliding scale of Canadian politics, mentioned the word "equity" several times. (Also on a Charlie Rose interview in 2004). His future village is global, where everyone works in harmony - the lion next to the lamb, as imagery goes - and where everyone is creative. In fact, his most successful book is called: The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life. The equity of creativity.

A whole city full of experimental visible minority immigrants, where his mantra - we are all equal, we all do things equally, we are all creators - can play itself out. Florida is creating his own heaven on earth, and found just the right petri dish in Toronto...

Maybe in the future he might consider an office in one of those shiny buildings rising up on the Ryerson Campus. After all, it is the same population group that attracted him to Toronto in the first place that's driving the Ryerson growth.[Camera Lucida, April 28, 2008]
And here:
[Floridas'] convoluted, unproven, idea, on which the [University of Toronto] has spent millions already, is that immigrants, especially the current type, will be part of the creative class now so necessary in the economies of countries - at least according to Florida.

The fact is that there is absolutely no empirical evidence to prove this. Toronto's high-immigrant economy has actually been on a decline, including the much touted "Hollywood North" film industry - that most creative of professions - which is losing to Vancouver, and back to the US via Detroit and Boston.

Florida talks about "20 years down the road", which is just fine with him since he is only proposing a theoretical hypothesis. After all he doesn't lose either way - right or wrong. He's just a researcher.

But, the great influx of immigrants to whom he has such an affinity - the Indians and the Chinese - started almost 15 years ago here in Toronto. So where is the data to prove, after fifteen years, that they are truly part of the "creative class"? Here is actual data from Center for Immigration Studies in the US which indicates that Asians are not the creative types Florida is banking on:
[T]he East-vs.-West pattern observed earlier for the TM* data also holds for levels of expertise, with Asians typically being hired into non-innovative jobs while more Europeans are in the types of positions that could involve innovation.
*TM stands for Talent Measure
[Camera Lucida: April 29, 2008]
About a year later, an article in The American Prospect, The Ruse of the Creative Class, echoed those sentiments, but added explicitly that such cities are failing, and that Florida's arguments didn't hold: the "Creative Class"attracting a "vibrant" city and economy was bunk.
Inspired [by Florida's message], Elmira's newly elected mayor, John Tonello, hung artwork on City Hall's walls, installed "poetry posts" around town featuring verses by local writers, and oversaw the redevelopment of several buildings downtown. "The grand hope was to create retail spaces that would enable people to make money and serve the creative class Florida talks about," Tonello says. The new market-rate apartments filled up quickly, but the bohemian coffee shops the mayor fantasizes about have yet to materialize.
[ Source: The American Prospect: The Ruse of the Creative Class, December 18, 2009]
Instead what people were doing was to set up enclaves within enclaves. Neighborhoods, and even whole cities, started to become exclusive to the wealthy or reasonably moneyed. The low-income neighbors never materialized. And immigrants were hard to find shopping in the local grocery stores and eating in the restaurants, where they were more often than not working in low-level jobs often as janitors or bus-boys. They lived way out in the suburbs in high-density high rises.

Florida is now promoting his new book: The New Urban Crisis: How Our Cities Are Increasing Inequality, Deepening Segregation, and Failing the Middle Class - and What We Can Do About It..

The book could have well been called "The New Urban Disaster."

This was a guy who spent months promoting his "Creative Class/Cities" book with glib phrases and clever catchwords, who sat on endless urban symposia, who won accolades and prizes and book awards for his ideas, who became the uncontested expert on creatively creating creative cities. Now he's back to talk about his "failure."

Not quite. He's here to say "Well I'm only human. I missed some things. But! I have these solutions!"

So we are supposed to give him a pass? We know who he is and even where he lives. No immigrant janitor will be anywhere near his house, with the 1,945 surveillance cameras which surround his territory with direct links to the Ontario Provincial Police, the Fire Department, and the emergency Ambulance services.

You see, he now has a toddler daughter.

The "Let Them Eat Cake" French queen, which won her the guillotine, was young, naive, sheltered and possibly had limited linguistic ability (she was Austrian, after all!).


Richard Florida's Toronto home

What's Florida's excuse?

Here is an excerpt from The Houston Chronicle in The Re-education of Richard Florida:
Sixteen years after Florida published his first book, "The Rise of the Creative Class," that theory has proved half true. For many small, post-industrial cities without assets like big tech companies and universities, no amount of creative-class marketing would turn things around. Elmira, N.Y., for example, saw little return on its investment in the Florida program, as a 2009 story in the American Prospect detailed. [Source: The Houston Chronicle in The Re-education of Richard Florida]
More from The Houston Chronicle from an article in 2013:
...research revealed the conditions that create pockets of poverty, and found a downside to ethnically mixed cities: People in different groups tend to live apart. "Here's Mr. Diversity, extolling the virtues of diversity in large cities," Florida says. "And what comes back to smash you over the head is that large diverse cities also incubate a horrific level of sorting and segregation."
A pseudonymic commenter posted this comment following Charles Mudede's article The Twittering World.
Richard Florida is an interesting guy, but he's like a math equation that gets further and further away from the truth the closer he gets to it. He's smart, but he has the Futurist Disease (remember Alvin Toffler? Faith Popcorn?) of seeing patterns everywhere, even where (especially where?) no patterns exist, and he constantly mistakes slight movements among a tiny coterie of the ultra-rich for genuine social movements. Or rather, the IDEAS of a tiny coterie; his work would be a lot more valuable if he was capable of thinking about the lives of real people for even a second or two.
I agree.

Of course Florida, with false modesty, "accepts" the fallacies behind his "theories." But his solution?

Bring in more government money to let these "excluded" members of our society to enjoy the fruits of Canadian/American capitalism. Let them live alongside the wealthy but with their government subsidized condo-apartments. Anything else makes us a callous and exclusive (i.e. a racist) society.

This is what he says in his interview a week ago on at Television Ontario's The Agenda with Steve Paiken, and also what he writes in the Toronto Star (quotes proivded after the video).

Listen to the video below to the excellent (on Paiken's part) interview and Florida's convoluted efforts to regain his credibility as an "urbanist."

Paiken introduces the interview thus:
"It hasn't all been positive. I must confess this isn't the follow up to the last book that I thought we were going to read!...Things are just very very dark and gloomy here!"
What Paiken is talking about is Florida's latest book, fresh off the presses: The New Urban Crisis: How Our Cities Are Increasing Inequality, Deepening Segregation, and Failing the Middle Class - and What We Can Do About It.



----------------------------------------------------------------------------------------------

The Toronto Star
By: Richard Florida
Tues., April 11, 2017
Toronto ranks as the ninth most expensive city in the world. Affordable housing is supposed to cost no more than three times a family’s income, yet a Toronto home now costs roughly eight times the average income.

Such rising housing prices and worsening affordability are a key indicator of what I call the “New Urban Crisis.” This is the dark-side of the sweeping back-to-the-city movement of the past decade or two, which has brought affluent, highly educated people back to the urban cores of superstar cities, such as Toronto, New York, London, Paris and others.

The New Urban Crisis is defined by a new model of winner-take-all urbanism. In a winner-take-all economy, talented superstars such as Beyoncé, Brad Pitt or LeBron James make outsized money. In winner-take-all urbanism, superstar cities house disproportionate concentrations of talent and leading edge industries.

Toronto is the 11th leading global city in the world according to my Superstar City Index. Toronto is even more dominant in Canada than New York is in the United States. Greater Toronto generates about 20 per cent of Canada’s economic output compared New York, which generates about 9 per cent of U.S. GDP. In fact, Greater Toronto’s share of Canadian GDP is equivalent to that generated by America’s five largest metros: New York, Los Angeles, Chicago, San Francisco, and Boston.

Winner-take-all urbanism generates winners and losers within cities as well. While affluent knowledge, professional and creative workers have been squeezed, it is lower-paid blue-collar and service workers who bear the brunt of rising housing prices. Across Canada, the former have roughly $45,000 per year after paying for housing, but blue collar workers are left with $26,400 and service workers have just $11,500 to live on after paying for housing.
And here specifically:
It is imperative that the city and region act aggressively to address the New Urban Crisis across three related fronts:
-It must overcome NIMBYism by increasing density and building more housing, especially more affordable rental housing.
-It must engage the private sector in upgrading low-wage service jobs into family-supporting employment.
-It must invest in better transit infrastructure to connect more people and places to its centres of employment.

Saturday, March 11, 2017

Good Illegals


Julissa Arce‏ @julissaarce Mar 2
#ToImmigrantsWithLove I will use my voice and my power
until the day we are free like the Monarch butterflies.
Julissa Arce came on a CNN interview show this morning (she tweets about it here, but no link yet to the interview) as an expert on immigration.

Acer's story is that she came into the United States as a young child illegally with her parents. She has lived almost twenty years illegally. Since her entry into the country, she "graduated" from college with honors, "contributes" to the society, "pays" taxes, "works" in a high profile company, is an exemplary "employee," got married (from what I could discern, just to become "legal"), and now has written her memoir telling this tale.

It is incredible. An illegal and wrong act, which sets a domino effect of all the other wrong acts, is deemed an inconvenient incident so far back in the past with no bearing on this woman's present and future. Legal and illegal become irrelevant terms as long as the person is a "good" person.

This is the society that this woman is building and without a single pang of guilt, or a sliver of doubt over her wrong doing.

Such is the state of our brave new world.

Friday, March 10, 2017

Figuring Out Where Nina Kouprianova's Loyalties Lie


Nina Kouprianova: Russian Spy?

The wife (estranged?) of the atheist Richard B. Spencer, Nina Kouprianova, writes extensively on Russia and has a twitter handle where she calls herself Nina Byzantina‏.

Her biography tells us that she left Russia as a young teenager and she attended high school and university in Canada, and lived in Canada before moving to the States, where she now resides. For all practical purposes, she is a Canadian/American.

It is odd that she devotes so much of her time on Russia. She seems to be presenting herself as some kind of spokeswoman for Russia, but it looks more like a glorification of the country. Why, as a Canadian/American, does she invest so much of her time on Russia? In her interviews, she talks about her expertise and academic knowledge on the subject. But her link to Russia seems more than academic (or theoretical). Her cultural and personal commentary shows that she is more than a detached observer. So what happens when things settle down in Russia (or the Ukraine)? Will she make the personal investment and move there, and live there, as a Russian? These are innocuous enough questions, but there are some asking about her Russian ties. She has previously "relocated" to Russia in 2009 to do research for her doctoral dissertation (which she completed in 2012) titled: "Revolution, Tradition, and Modernity: Russian Consumer Advertising in the Era of NEP [New Economic Policy]."

She wrote a fascinating article in the journal The Soul of the East in 2014 which she titled "Being Who We Are."

She writes as a bona fide Russian:
We will also have to examine our recent past, since we were considered a stronghold of the “global Left” in the 20th century. It would be most logical to treat the Soviet era precisely as a period in history. Otherwise, there is the impression that Lenin and Stalin are still alive ruling our lives on a daily basis. It is time to leave necropolitics behind.

The latter will help us stop looking for cravings toward Tradition, faith, and hierarchy in the Communist Party’s congresses and speeches of leaders.
Here is a photograph she took while in Russia dated on her website as 2013. It is the Ivan the Great Bell Tower, which dates back to the early 16th century.

Kouprianova is all about Russia.

I think Kouprianova's story is the usual story of contemporary immigrants who cling to their "native," past however remote it may be, and instigating the consequent, steady, erosion of European (Anglo or Franco) cultures in the US and Canada to promote their own.This is natural and desirable, but BACK IN THEIR OWN NATIONS.

But, Kouprianova has been "hijacked" by the Russian government, naively or not, (I think - strongly - the latter) , which various medias sources have noted (1, 2). And to give a "fair and balanced view," this (conservative) website calls her a Russian nationalist. Again, how can an American citizen be identified as a "Russian nationalist?"

Western Europe has historically associated cautiously with Russia. The formidable country is hard to classify as East or West, and really should hold its own geopolitical label. Russia can be an ally of the West, but it will always, and primarily, be Russian. This, I think, is what current political leaders are "confused" about. Putin will side with whomever will make him strong. And he may go beyond personal power and delve into deeply seated patriotic feelings for his country to make his decisions, but we don't know this. He may still be all about brute force.

I think that is the same context within which Kouprianova presents her commentaries and opinions. But she goes a step further and presents Russia as the promoter of white Western Europe. In this 2009 Taki Magazine article she writes:
[F]or those concerned with the “Death of West,” some comfort can be found in the fact that what is taboo in western Europe and America [promoting a blond, blue-eyed population] is a national priority in the Motherland.
This is clearly one (perhaps the only) point of similarity between her and Spencer: the promotion of white European culture within the American sociopolitical sphere.

Here is an article addressing her Russian "ties."
Nina Kouprianova, who also writes under the name Nina Byzantina, publishes articles lionizing Vladimir Putin, criticizing western media and appears on the Kremlin-funded RT network to promote anti-Ukraine talking points.
Kouprianova's personal interest based on her identity has morphed into a cultural and political obsession that it would have been called treasonous by bygone eras. Contemporary Western society, of course, will make not such commitments, which is why the likes of Kouprianova are able to flourish in our countries.

Below is a photo Nina Kouprianova recently put up of Putin on her twitter page with a shadow of a cross engraved/tattooed on his forehead.





In a post above it, she has a photo of Marine Le Pen with a cross (protruding out of her forehead).

Perhaps Koupriavona is saying that we are united through our Christianity.

I think that is a false and dangerous premise.

Countries do exist. It is not only religion (and also very different variations of the same religion) which form and unite them. And the Orthodox Church is especially region and country specific, and depends much on cultural contexts.


Sunday, February 19, 2017

The Ten Commandments: "I am the Lord thy God"


Illustration by Sam Lawlor

The Ten Commandments are a sequential set of commands.

If the first is forsaken then all the others can follow similar suit.
Exodus 20: 2: "I am the Lord thy God"
How many in some form or other deny or denounce this?

Such are then more likely to:

- V. 3-5: Worship graven images (the graven image of liberalism)
- V. 12: Ignore or denounce the legacy of their fathers and mothers, which drives the neglect of one's country and fuels the immigration-fuelled culture of our modern age
- V. 13-15: Kill, commit adultery, steal - the abortion-minded, divorce-facilitating, welfare-driven society we live in now as though it were the norm
- V. 16: Bear false witness against thy neighbour - misreporting/ misrepresenting facts, in short lying, to attain a (liberal) agenda and world
- V. 17: Thou shalt not covet - desiring what's not one's own and looking for the easy way out to get what others have obtained through hard work, family inheritances, and national legacies

Denouncing the first leads to a sequential denial of all the others.

Below are the full commandments: "I am the Lord thy God"

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Exodus 20: 1-26:
And God spake all these words, saying,

I am the Lord thy God, which have brought thee out of the land of Egypt, out of the house of bondage.

Thou shalt have no other gods before me.

Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.

Thou shalt not bow down thyself to them, nor serve them: for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me;

And shewing mercy unto thousands of them that love me, and keep my commandments.

Thou shalt not take the name of the Lord thy God in vain; for the Lord will not hold him guiltless that taketh his name in vain.

Remember the sabbath day, to keep it holy.

Six days shalt thou labour, and do all thy work:

But the seventh day is the sabbath of the Lord thy God: in it thou shalt not do any work, thou, nor thy son, nor thy daughter, thy manservant, nor thy maidservant, nor thy cattle, nor thy stranger that is within thy gates:

For in six days the Lord made heaven and earth, the sea, and all that in them is, and rested the seventh day: wherefore the Lord blessed the sabbath day, and hallowed it.

Honour thy father and thy mother: that thy days may be long upon the land which the Lord thy God giveth thee.

Thou shalt not kill.

Thou shalt not commit adultery.

Thou shalt not steal.

Thou shalt not bear false witness against thy neighbour.

Thou shalt not covet thy neighbour's house, thou shalt not covet thy neighbour's wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour's.

And all the people saw the thunderings, and the lightnings, and the noise of the trumpet, and the mountain smoking: and when the people saw it, they removed, and stood afar off.

And they said unto Moses, Speak thou with us, and we will hear: but let not God speak with us, lest we die.

And Moses said unto the people, Fear not: for God is come to prove you, and that his fear may be before your faces, that ye sin not.

And the people stood afar off, and Moses drew near unto the thick darkness where God was.

And the Lord said unto Moses, Thus thou shalt say unto the children of Israel, Ye have seen that I have talked with you from heaven.

Ye shall not make with me gods of silver, neither shall ye make unto you gods of gold.

An altar of earth thou shalt make unto me, and shalt sacrifice thereon thy burnt offerings, and thy peace offerings, thy sheep, and thine oxen: in all places where I record my name I will come unto thee, and I will bless thee.

And if thou wilt make me an altar of stone, thou shalt not build it of hewn stone: for if thou lift up thy tool upon it, thou hast polluted it.

Neither shalt thou go up by steps unto mine altar, that thy nakedness be not discovered thereon.

Saturday, December 17, 2016

A Basic Guide to Liberalism and Conservatism, Part I: From the Orthosphere

I have made a major decision in the way I am to approach recent events. And as my last few posts show, I am getting a shower of support! Is this a sign from God :).

Here is a formidable article from the Orthosphere by Alan Roebuck which he has re-edited to clarify some points.

-----------------------------------------------------------------------------------------------------------------------------------

A Basic Guide to Liberalism and Conservatism, Part I
By Alan Roebuck

We could use a catechism of liberalism and conservatism (i.e., anti-liberalism.) Young people won’t know about reality unless someone teaches them. They may sense it, but they won’t know it unless someone teaches them.

Update 12/13/16: In response to useful criticism, I have added text to clarify my position...

Part I: Introduction

Liberalism begins with the deliberate violation of the laws of God, the laws of nature, and human tradition. If this blasphemy excites you, you’re prone to become a liberal. If you’re a normal person, it disgusts you, and you will not become a liberal unless it disguises itself as something good.

Everybody knows something’s wrong with the world. As Christians, we know that the ultimate malady is sin, but sin manifests itself in countless ways. We need a more tangible and organized explanation.

A big part of the current problem is liberalism. It’s everywhere, it’s dominant, and it’s perverted. So we all need to defend ourselves against it.

That word “liberalism” is the usual name for the way of thinking that now rules Western civilization, America included. It’s more than just fashionable opinion; liberalism is an organized system. Its ideas are mostly consistent with one another, so they work together like a well-trained sports team. And there are countless organizations which teach liberalism and enforce its morality. Liberalism rules the West, so the people mostly believe it. And even if they don’t believe it, they usually go along with it.

Some intellectuals want another name for what I’ve called liberalism. Or they say that it’s really many separate movements which should not be grouped together under one name. There is some truth to that. But there is one well-defined system of thought that now rules America. And its most common name is “liberalism.”

There is no need here to give a precise definition of liberalism. Like the famous quip about pornography, we know it when we see it. In a sense, everyone knows what it is. Liberalism is legitimizing deviant sex. It’s confiscating guns. It’s exalting nonwhites over whites. It’s rebelling against authority. It’s denying traditional religion. And so on. Everyone (in the Western world, at any rate) has an intuitive sense of the phenomena generally labelled “liberalism.” We also know liberalism because its message is everywhere. Liberalism is what our most honored authorities say you’re supposed to believe. And there is no agreement about the exact definition or essence of liberalism. It’s far easier to prove the falsity of specific liberal beliefs than to identify its essence and then debunk that essence.

A precise definition is also not necessary because this is just Part I. We will have more to say about the essence of liberalism later.

Understand also that liberalism is a collection of doctrines, but liberals are people who affirm these doctrines for the most part. Every liberal has some non-liberal beliefs, so we cannot understand liberalism by looking only at liberals: they, like all mankind, hold contradictory beliefs. Christian beliefs, for example, can coexist in the same person with liberal beliefs, beliefs that are ultimately based on the rejection of the God of the Bible. This does not mean that the acceptance or rejection of Christianity is irrelevant to liberalism, only that people are inconsistent.
*
Liberalism is the official message of the current age. Therefore you might think it’s is true. Not necessarily. When the Communists ruled Russia the Russians heard the Communist message everywhere. But it wasn’t true. When the Nazis ruled Germany the Germans heard the Nazi message everywhere. But it wasn’t true. Sometimes leaders don’t tell the truth.

Conservatism

Liberalism leads to conservatism, the political meaning of which is: any opposition to liberalism. Since it’s defined by what it isn’t, conservatism is much less unified than liberalism. Libertarians, Bible-believing Christians, Nazis, monarchists, and the atheistic followers of Ayn Rand, among others, are all likely to be called “conservatives.”

Notice that not all conservatism (anti-liberalism) is good. We must become the right kind of conservatives.

The word “conservative” was applied because the first conservatives wanted to conserve. They noticed that the traditional way of life of their people was under attack by liberals and their natural—and honorable—response was to defend what was under attack. They wanted to conserve what was good in the traditions of their people.

But that was the past. Liberalism is now victorious. According to our leaders, we’re all supposed to be liberals. Opposition to liberalism still exists but it has unofficial status. Officially we’re all supposed to celebrate diversity, tolerance, compassion, multiculturalism, and so on. Not only that, but these are taken to be the fundamental social goods, before which all other social goods must give way. Thus we are to honor sexual perversion, give away our places to nonwhites, welcome all the Moslems who want to immigrate, and so on.

No doubt diversity, tolerance, compassion and multiculturalism can all be goods in some circumstances, and if they are understood rightly. But the liberal makes the liberal versions of them absolute, and therefore the liberal imperative to honor them becomes a form of tyranny.

The conservatives have failed to conserve the good. Therefore many honorable anti-liberals have contempt for conservatism.

But despite this undeniable fact, “conservatism” is still the generally-accepted word for anti-liberalism. And since anti-liberalism is good, we stick to the traditional terminology. We speak of liberalism versus conservatism.

There’s a lot of finger-pointing on the Right. Some conservatives accuse some supposedly-conservative groups of actually supporting liberalism. Yes, we’re all tainted with liberalism to a certain extent, and guarding against it is an important and never-ending activity. But this author holds that anyone who has awakened to the menace of liberalism is at least a minimal ally. Conservatives should be encouraged to continue to repent more than they should be scolded for their remaining sins.

What’s wrong with liberalism?

It promises good things but it mostly delivers bad things. And the good it delivers is mostly pleasant distractions that occur before the evil that is liberalism’s real consequence develops fully.

For example, the diversity that liberals love results in, among other things, mass immigration by non-white peoples whose ways of life are radically incompatible with our traditional American way of life. The immediate results include lots of ethnic food and music, which are pleasant diversions for many people. But the long-term result is hostility and conflict, as incompatible people fight over resources and how society should be organized and governed.

Liberals imagine a beautiful future when war, poverty, racism and similar evils have been abolished. But to abolish these evils they try to remake mankind, at gunpoint if necessary. The ideal world they imagine never occurs, so liberals must continue to persecute people in a futile attempt to make the human race behave as liberalism says it should.

For example, liberalism says that nobody should be a racist. Racists are to be harassed out of existence, for then mankind will finally be happy. But the harassment of racists is only carried out against white racists. Nonwhite racists are excused because (so they say) they are only responding to centuries of oppression by white people and therefore it’s not really their fault. And whites are punished not just when they’re mean to nonwhite people, but even when they just act like normal people everywhere have always behaved until approximately the middle of the Twentieth Century: Preferring to associate mostly with their own kind and wishing that their nation would not be transformed into a radically multicultural pseudo-empire.
*
Since it’s poisonous and false, liberalism must be supported by endless propaganda. Therefore the man in the street generally goes along with liberalism. He doesn’t imagine that there could be another way and, like most people in the West, the average American is materially well-off. So why would he want to rock the boat? Our leaders must know what they’re doing, right?

Not necessarily. Under a democratic system our leaders must be popular even if it means maintaining popular lies. If there were something fundamentally wrong with the system of thought that rules our nation, democracy would be unable to correct the problem. Politicians who rely on the votes of the people to stay in power cannot afford to deliver that sort of bad news.
*
So why does liberalism fail to deliver the good it promises?

Because liberalism rejects the God of the Bible, a rejection which always leads to a false understanding of how reality operates. Since God is the Supreme Being and the ultimate Author of all that exists, rejecting God causes man fundamentally to misunderstand all of reality.

Although some liberals don’t acknowledge it, liberalism denies the God of the Bible, the traditional God of our people and the one true and living God. Although there is no Bible or Pope of liberalism to make official pronouncements of what is and is not liberal belief, the tenets of contemporary liberalism must deny that God exists as He is described in the Bible, traditionally interpreted. That’s because traditional Christianity denies most of the basic tenets of liberalism. Therefore liberalism must deny God’s existence or His knowability. Or perhaps it must portray God as the Great Liberal in the Sky, weeping over racist police and global warming, and pleading with us to be more tolerant and inclusive. Redefining God can be just as effective as outright denial.

With God denied or demoted, man becomes the de facto Supreme Being. That is, under liberalism in its current form, basic laws of ethics and social order originate from man rather than from a divine source. And the basic laws of nature, including metaphysical laws, must be discovered by man rather than received from God’s Word. Much of nature can be known without explicit reference to God, but the most basic truths, such as that the world has a regular order because it is the product of an orderly divine Mind, become unknowable.

This does not immediately lead to disaster, though. Atheistic man (anyone who sees man as the measure of all things is de facto atheistic) can still be skilled in science and technology. He can still have a basically accurate understanding of the physical world. But without acknowledging God, atheistic man cannot know the true purposes of things, nor can he know their ultimate causes. He cannot know, for example why the human race is divided into man and woman, or the correct way for men and women to relate to one another.

True purposes and ultimate causes cannot be known by scientific investigation because they are non-physical, and science can only study the physical. Under atheism, true purposes and ultimate causes cannot be known because science for the liberal is the only source of certain knowledge. Therefore liberalism regards proper purposes and ultimate causes as opinions rather than facts.

And if they are opinions then they constantly change. That’s why liberals are always fighting to change the way we live: No-fault divorce. Same-sex marriage. Transgender rights. Open borders. Reducing our carbon footprint. What was the right way to do things yesterday is not necessarily the right way today, and who knows what it will be tomorrow?

Under liberalism, there is no such thing as a social order that is relatively stable because the people are in agreement about the basic nature of things. Social orders do change over time, but in the present age the change is speeded up by orders of magnitude. Not just that, but according to liberalism social change becomes one of the basic goods of society. “Change agent” is a liberal title of respect. The natural result is perpetual chaos.

But a human society can only work if the people are in basic agreement about the true purposes and the ultimate causes of things, and about how society ought to be ordered. That way they can trust one another and believe that life makes sense. Stripped of this trust and belief, liberal society eventually and inevitably descends into conflict and chaos. And in contemporary America we have the added pressure of mass immigration which is Balkanizing us into mutually hostile tribes.

Let us therefore oppose liberalism and understand the world as it really is. That is the purpose of this series of posts.

Tuesday, June 2, 2015

Positively 44th Street



I first came upon West 44th street between 5th and 6th Avenues in 2009 when I went to New York and Princeton to participate in my first anti-Jihad event. I met the (now dormant) International Free Press Society's Bjorn Larsen outside the Harvard Club, where there was a private luncheon for Muhammad Cartoonist Kurt Westergaard. A small group of us, including Bjorn, Lars Hedegaard (who was at one time after this event confined to his house in his native Holland to protect him from Muslim antagonists for his negative commentary on Muslim immigrants), Paul Belien of the Brussels Journal, and Westergaard traveled to Princeton University for a presentations by Westergaard, and later that evening, to attend a private reception for Westergaard at a mid-town New York apartment. The day after the event in Princeton, I met Larry Auster for the first time, at The Red Flame Diner in New York on 44th Street. I had been communicating with Larry for a few years as a commentator on his website The View From the Right.

Below is an interesting article about this one-block strip, with its various intellectual and literary clubs. One is the Alogonquin Hotel, where the infamous Round Table met. I went inside the restaurant on another trip, to see the menu, and realized that I could afford one item (say the shrimp cocktail for $20). I also mentioned the prestigious Harvard Club after visit in that block in 2012.

It is amazing that so much happened (and happens) in such a tiny, hidden, part of New York.

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Waiting on The Algonquin
[Photo By: KPA]


Positively 44th Street
By: Alex Shoumatoff
Vanity Fair
June 12, 2014

Room 2806, the presidential suite in the Sofitel at 45 West 44th Street, goes for $3,000 a night, which is not out of line for a suite in Midtown Manhattan. The Mandarin Oriental on Columbus Circle has one for $18,000. But three grand is a lot more than the seedy Hotel Seymour, which occupied the Sofitel site until being demolished in 1983, used to charge for a room. The Seymour was one of the three welfare or S.R.O. (single-room occupancy) hotels, as they were also called, on the block—44th between Fifth and Sixth—where retired theater people had been living for years at reduced rates. In the 70s, I remember, I met one Broadway widow—a heavily rouged woman in her 80s who smoked cigarettes through a long black holder and called me “Dahling,” Ă  la Tallulah Bankhead—at the Teheran, the bar down the block from the Seymour that everybody went to after work; it, too, is gone. The two other residential hotels were the Royalton, at 44 West 44th, and the Mansfield, at 12 West 44th, which were both renovated in the late 80s and 90s when the Times Square district was “Disneyfied,” as critics called the process. They are both now boutique hotels, though not as luxurious or pricey as the haute Euro Sofitel.

The Royalton was resurrected in 1988 by the hotelier Ian Schrager. In 1992 he brought in the downtown restaurateur Brian McNally, who had opened a string of hot spots the previous decade, including Indochine, the Odeon, and Canal Bar, to run its restaurant. McNally made the restaurant—called Forty Four—and the Royalton’s Philippe Starck-designed lobby the place to eat and meet and be seen, particularly for the literati, as the Algonquin Hotel across the street had been 60 years before, when the rouĂ©s of the Round Table had their famous drunken luncheons there.

On May 14 of last year, between 12:07 and 12:13 p.m., Room 2806 in the Sofitel acquired a place in the annals of tawdriness and in the rich social history of the block, when Dominique Strauss-Kahn, the managing director of the International Monetary Fund, who was leading the polls for France’s forthcoming presidential election, had a hurried sexual encounter with the Guinean housemaid Nafissatou Diallo as he was preparing to vacate the suite. The circumstances—whether it was consensual or an assault—are disputed, but after Strauss-Kahn was taken off a plane to Paris later that day and imprisoned on Rikers Island on charges that were later dropped because of issues with Ms. Diallo’s credibility, a female journalist in France came forth with a similar account of having been attacked by D.S.K. eight years earlier. His career at the I.M.F. and his French presidential aspirations were finished.

If anyone on the block was scandalized by this bit of Euro-loucheness, it would have been farther down toward Fifth Avenue, in the stately neo-Georgian Harvard Club, at 35 West 44th, and next door in the beguiling Beaux Arts New York Yacht Club, at 37, whose windows look like they were plucked from a galleon. But it would be a bit of a stretch for these bastions of the old East Coast Wasp imperium, or what is left of it, to feel like their escutcheons had been besmirched. They probably don’t bear much scrutiny themselves these days, the noblesse oblige and ethos of service and stewardship of the old blueblood ruling class having been hemorrhaging since the presidency of Nixon and being, at this point, pretty much gone. Plus, this block has seen it all. The illicit trysts that have taken place on it would be impossible to chronicle. Back in the 20s, the playwright George Kaufman, who was a member of the Round Table and one of the progenitors of situation comedy, ran into an old flame in the elevator of the Algonquin Hotel, on the arm of a new beau, whom she introduced as being “in cotton,” and he came out with a memorable one-liner: “And them that plants ’em is soon forgotten.”


Inside the Algonquin, 1986
By Peter Freed/The New York Times

(From the online slideshow on Vanity Fair's June 2012 article Positively 44th Street)

Many completely different worlds, many different cultures, networks, and scenes coexist on this one block of West 44th Street. You could spend your life trying to find out what happened and what is happening along this 250-yard stretch of pavement and not begin to scratch the surface. Its baseline component is the local Midtown culture, which is New York melting pot flavored with the flimflam of Tin Pan Alley and Times Square, both within spitting distance. In fact, the Hippodrome, the largest and most successful theater in New York in the first part of the 20th century, was right on the southeast corner of 44th and Sixth Avenue. Before that it was a carriage house and stable for the trotting horses of wealthy sportsmen of the Vanderbilt-Rockefeller set. Houdini made a five-ton elephant disappear before a crowd of more than 5,000 at the Hippodrome. The site today is occupied by a nondescript glass office tower.

But the indigenous Midtown culture is still alive and well, I was glad to find, in the arcade of the old New Yorker building, which runs from 28 West 44th Street to 25 West 43rd Street. From 1935 until 1991, The New Yorker magazine had its “Dickensian” offices, as they were invariably called, on the 18th, 19th, and 20th floors of this building (which was then known as the National Association Building). I had one of them when I was a staff writer at the magazine, from 1978 to 1990. It was tiny and spartan, with just enough room for a table and a chair, a bookshelf, and an ancient black Royal typewriter probably used by its previous tenant, a revered “fact” editor and reporter named St. Clair McKelway, whose demise had made it available. (A tall man who mumbled in his mustache and was given to bouts of paranoia, McKelway, who served as a public-relations officer for the military on Guam in 1944, is most remembered for firing off a telegram to the Pentagon accusing Admiral Chester Nimitz, the commander of the Pacific Fleet in World War II, of high treason.) “Fact” was the quirky New Yorker term for journalism, as opposed to fiction. It avoided being defined by what it wasn’t: nonfiction.

The arcade of the National Association Building was like a little self-contained global village where your basic necessities were taken care of. There was a barber, a tailor, a coffee shop, a newsstand, a watch-repair shop, even a post office. To me this arcade is the very omphalos—the navel—of Gotham. The guy at the Arcade Hair Styling Salon for Men and Women who cut my hair 30 years ago is still there, I noticed when I was passing through at the beginning of last December. His name is Aldo Nestico and he’s 67 now. Half a dozen old-timers, longtime customers from the neighborhood, were sitting in the salon’s waiting section in Miami Beach leisure suits. One of them was wearing a loud plaid golf cap. None of them looked like they particularly needed a haircut. But I did, my last cut being a three-dollar job in Borneo three months earlier. I booked a cut with Aldo for the following afternoon.

Aldo came over from Calabria in 1955 on the Andrea Doria, a year before it went down, “or I wouldn’t be here,” as he points out. He has cut a lot of famous people’s hair, including the Beatles’. But the guy with the stories, with the gift of gab, is snipping away at the next chair—Andreas Pavlou, who has been cutting hair in the neighborhood since 1964 and is originally from Cyprus. Having a captive audience who is all ears, he uncorks the following classic New York yarn.

‘It was around this time of year many years ago, a few weeks before Christmas. I am finishing a haircut at the shop across the street and suddenly the guy starts sweating and it’s cold outside and I says to him, ‘You don’t look so good. Maybe we should call an ambulance,’ and he says, ‘I’m O.K. I’m just coming down with a cold. I’m going to go home and kill my wife for giving me this virus.’ But when he gets up he starts staggering and asks if he can sit on the couch for a minute, and while he is lying there on his side he has a heart attack. I call an ambulance and by the time it arrives the guy is dead. The paramedic gives him CPR, but it’s no use. It’s 11 in the morning and everybody is starting to come. The paramedic says, ‘I have to leave him here so the police can come and make sure you didn’t do it.’ I says, ‘You can’t do that. It’ll be the end of my business.’ So we sit him up on the couch and cross his legs and put a New York Times in his hands and spread it out so nobody can see he’s dead. All day long customers come and sit right next to him and nobody notices. At five o’clock a huge guy comes and sits on the couch, and the corpse slumps over onto him, and I says to the corpse, ‘Look, if you want to take a nap, why don’t you get a hotel room,’ and I prop him back up and everything is still fine. Finally at 7:30 the cops come and one of them asks, ‘O.K., where’s the stiff?,’ and I says, ‘Over there on the couch,’ and he asks, ‘Well, did he pay you?,’ and I says ‘No,’ and the cop shakes his head and says, ‘The things people will do to get out of paying. But this is a new one,’ and I says to him, ‘Well, there’s a first time for everything.’ ”


The New York Yacht Club
Photograph By: Jonathan Becker

(From the online slideshow on Vanity Fair's June 2012 article Positively 44th Street)

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Posted By: Kidist P. Asrat

Thursday, March 5, 2015

Another Purim


I wrote of the Jewish holiday Purim last year which I've re-posted below. At the very end of the post, I write:
I'm not sure how the greeting goes, but I will just say: Happy Purim!
This year, it is with a very different mood that Purim is celebrated, at least in Israel. It is not one where one wishes "Happy Purim" but rather where one waits for these terrible days to play themselves out.

Prime Minister Netanyahu made a humbling, brave visit to America to ask America's leaders to stop the deal with Iran. Here is the transcript of his speech.

And below is the video of his forty-five minute speech, which shows his grave and strong voice, demanding attention from the audience.



Here is what I found to be the most significant part of his speech:
Tomorrow night, on the Jewish holiday of Purim, we'll read the Book of Esther. We'll read of a powerful Persian viceroy named Haman, who plotted to destroy the Jewish people some 2,500 years ago. But a courageous Jewish woman, Queen Esther, exposed the plot and gave for the Jewish people the right to defend themselves against their enemies.

The plot was foiled. Our people were saved.

Today the Jewish people face another attempt by yet another Persian potentate to destroy us. Iran's Supreme Leader Ayatollah Khamenei spews the oldest hatred, the oldest hatred of anti-Semitism with the newest technology. He tweets that Israel must be annihilated -- he tweets. You know, in Iran, there isn't exactly free Internet. But he tweets in English that Israel must be destroyed.

For those who believe that Iran threatens the Jewish state, but not the Jewish people, listen to Hassan Nasrallah, the leader of Hezbollah, Iran's chief terrorist proxy. He said: If all the Jews gather in Israel, it will save us the trouble of chasing them down around the world.

But Iran's regime is not merely a Jewish problem, any more than the Nazi regime was merely a Jewish problem. The 6 million Jews murdered by the Nazis were but a fraction of the 60 million people killed in World War II. So, too, Iran's regime poses a grave threat, not only to Israel, but also the peace of the entire world. To understand just how dangerous Iran would be with nuclear weapons, we must fully understand the nature of the regime.
That is all he had to say to make his point, but he is in secular, even with some atheistic, company, and had to go on with a political message.

I listened to the full speech. I found his strength, his poetic moments, his realistic presentation of the problem, and his actions to prevent this apocalyptic event extraordinary. I don't think any leader had come to another country to plead his case, to ask for help, to save the world. I don't think any of this is exaggerated or over-played. It is every bit as serious as he says, and as I felt.

Part of that significance is that this event occurred very close to the Purim holiday (on the eve of the holiday, to be exact).

I wrote a post on Esther last year, and it was mostly a post of Rembrandt's paintings of the holiday and of the personalities, where I said:
The Jewish holiday of Purim ended last week. It commemorates:
...the deliverance of the Jewish people in the ancient Persian Empire where a plot had been formed to destroy them...
Netanyahu came during that holiday, as fate (as God) would have it, and remind the world of another time when the formidable Persians controlled the fate of Jews. This contemporary Persians would not show any of the goodwill their ancestors granted Esther. Their annihilation of the Jews will be swift and merciless. Now, they have a new god, their Allah, who will sanction their behavour.

It is apt that I write about Larry Auster in this piece of spiritual battle. I link to him below (here is the piece) saying how I met him several times in New York, but the last time I met him, we went down to the Plaza's food court where he suggested that I try the hamentashen, and with the apricot filling, although I went in August which is not the time of the Purim holiday. I remember having the dry cake, with a crust like a shortbread, and the sweet apricot filling, trying to figure out what it tasted like. Larry was watching me curiously as I tried this biscuit for the first time, something which he was so familiar with. And, in a metaphorical sense, he was one of the few then fighting the existential and spiritual battle which took so many so long to understand.

Now here we are, with the leader of the Jewish people, outlining for us the stark reality that was becoming so apparent to him then.

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Below is my post from last year, including the paintings by Rembrandt.
Rembrandt's Esther

The Jewish holiday of Purim ended last week. It commemorates:
...the deliverance of the Jewish people in the ancient Persian Empire where a plot had been formed to destroy them...

According to the Book of Esther, Haman, royal vizier to King Ahasuerus...planned to kill all the Jews in the empire, but his plans were foiled by Mordecai and his cousin and adopted daughter Esther who had risen to become Queen of Persia. The day of deliverance became a day of feasting and rejoicing [more here].
Rembrandt painted a series of paintings depicting Esther. Below are what I think it is a complete list:



Haman and Ahasuerus at the banquet with Esther


Haman Prepares to Honour Mordecai


Haman Begging Esther for Mercy


Esther is Introduced to Ahasuerus


Esther before Ahasuerus


Esther with the Decree of Destruction


Esther Preparing to Intercede with Assuerus

More paintings of Esther by various artists can be found: here, here, here and here.

A special holiday cake called hamentashen is served for this holiday. I mention my first encounter with hamentashen in my post Kidist's Best of New York City (Best Hotel Bakery Item: The Hamentashen at the Plaza Hotel - apricot filling), which I discuss more here.



I'm not sure how the greeting goes, but I will just say: Happy Purim!
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Monday, March 2, 2015

Title Change: Are Black Americans Serious About Separation?



I changed the title of my previous post from A New Black Nation to Are Black Americans Serious About Separation? I made this change since I don't think there will ever be a "new black nation" chipped off America because the American nation wouldn't allow it and blacks wouldn't seriously want it. But, there is a small group of Americans which is considering separating from all these grievous groups - blacks, Hispanics, liberals, and the large array of immigrants who identify themselves as non-whites. Rather than giving blacks, and these other groups, their own nation, they are considering siphoning off their own.

I don't know how this will work out. But it is becoming more of a reality than a few years ago.

Addendum:

I initially wrote A New Black Nation (whose title I changed as I indicated above) referring to this post by Laura Wood at The Thinking Housewife. The discussion has grown there with a comments on a separate black nation.
Laura writes:
You write:

Black re-settlement in Africa is out of the question.
Of course, it is out of the question today and anytime in the near future, just as a separate black nation in North America is out of the question today and anytime in the near future. But you can’t predict the future. You can’t forecast what kind of changes there might be. It is not out of the question because it is physically possible. To work for any such goal now would be patently ridiculous.
I think that as I wrote above, blacks wouldn't seriously want a separate black nation, or if they did, they would demand all kinds of conditions in order to gain as much benefit from the white America as they could.

I think David J., who is a black American commenting at Laura's post, is a clear example of that, although he is civilized and thoughtful with how he expresses it. But, it is strange to find someone expect to stay within the white culture while talking of "my people" as a separate and irreconcilable group. His praise of white culture may be genuine, but his support for unity is opportunistic.

I say this based on my observations of blacks who declare, antagonistically, that they have very little in common with white America, yet expect all the benefits of white America to be passed on to them.

This is similar to what is happening in Quebec, which has talked about separation from Canada for decades, which has come close to separation from Canada at least on two turbulent occasions. But at the moment of decision, it always opts to stay with Canada. And with each return to "unity" comes a list of conditions that benefits Quebec culturally and financially, giving it the best of all worlds.

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Posted By: Kidist P. Asrat

Saturday, February 28, 2015

Are Black Americans Serious About Separation?

I think not. I think they just want the best of all worlds: a place which they can call their country, but which will have the perennial benefits of a white America. But they will keep rumbling on, making all kinds of demands, using a stealthy weapon of discrimination to get their way, since to be racist (well, to be called racist) is now one of the deadly sins.

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It is interesting that the standards for art remain Western. We have tried Chinioserie, Japonism, Orientalism, Primitivism, and many more non-Western "inlfluences" on Western art. I put influences in quotes because the trajectory is more Western art picking up styles from the non-Western world and applying it in a new way to Western art.

Laura Wood of The Thinking Housewife writes about the celebration of African-American History Month here:
As the annual observance of African-American History Month comes to a close, it is worth noting one of the most compelling reasons why African-Americans, or blacks, should have their own nation in North America: Blacks view themselves as a separate nation — a nation with its own distinctive history, its own heroes, its own literature, its own folklore, its own popular culture.

There is no Irish-American History Month, Italian-American History Month or German-American History Month. There is no White History Month. The Irish, the Italians and the Germans are not clamoring for these observances. That’s because they do not view themselves as separate to the same extent. They are not a separate nation. Look at the uniformity with which blacks approach politics. Almost all blacks vote the same way. No group in America has such a strong collective identity.
Here are her posts and the ensuing discussions:
- A Black Nation in America
- A Healthy Black Nationalism and its Benefits for Blacks

I went to the African-American History Month website that Laura directed us to, and looked up the link provided for African-American artists' collections at the National Gallery of Art. As I went through the collections' highlights, it became clear that these were works which emulated, if not mimicked, Western art standards, and even the "black" references could not disguise these origins.

The one that stood out for me was the African Nude by James Lesesne Wells. It was clearly after Henri Matisse's odalisques (of which there are dozens), which Matisse got from Ingres' Grande Odalisque, which itself was influenced by several centuries of Western artists, as well as Greek and Roman art. The leaf-like shapes in the background are also from Matisse's well-known leaf-like cut-outs he did much later in life when he could no longer paint.

Other resemblences are the "flattened surface" which Matisse explored and experimented with throughout his life: "Matisse used his curvilinear forms and bold decorative patterns to emphasize the flatness of the canvas surface." [Source]

Matisse worked with various print-making techniques, partly to get this "flattened surface" that he finally perfected with his cut-outs.

And Wells' African Nude is a the printing technique linocut, which is a variation of a woodcut.


James Lesesne Wells
American, 1902 - 1993
African Nude, 1980
Color linocut on Japan paper


The National Gallery of Art, where this painting is exhibited, says this about Wells:
James Lesesne Wells was born in Atlanta, Georgia, in 1902 and received BS and MS degrees from Columbia University, New York. He had a long career in printmaking, first participating in the Federal Arts Project, which encouraged the development of the art in the United States during the Great Depression, and then teaching at Howard University in Washington, DC, for almost four decades. Wells was active in the civil rights movement and often depicted the struggles of African-Americans in his work. African Nude, which Wells created late in life, reflects his printmaking skill, interest in traditional African aesthetics, and commitment to representing African-American history and experiences.
And this about his African Nude:
The woman in African Nude, wearing only a large necklace, reclines on an overstuffed settee. Her alluring position is similar to the pose found in classic images of odalisques—female slaves in the Ottoman Empire whose identities became sexualized and popularized during the nineteenth century. Yet unlike the seductive odalisque seen in Western art, whose gaze challenges by staring directly at the viewer, the nude in Wells' work, with eyes downcast, appears unhappily submissive and ill at ease amidst the oversize lush plants and gala colors of the background. The viewer is thus left unsettled, as if unwelcome despite the outwardly inviting scene.
I cannot leave this biography without commenting on the National Gallery of Art's description of African Nude.

I like the modesty with which Wells portrayed his image. But I think it is as much a commentary on modesty as on submissiveness. This leads me to the question: "Why is this black nude 'modest' while the Arab or white odalisques are so confident? Is Wells telling us not of submission but of the oppression of blacks? As is often the case with black American art, the language revolves around race conflict, and blacks always come out "losing."

Here is a 1990 New York Times article where the commentary says something similar to my point above, and written with the usual "aggrieved blacks" angle.

Below are odalisques by Matisse and Ingres.


Henri Matisse
Odalisque Ă  la culotte rouge, 1924-1925
Oil Painting
50 x 61 cm
Musée de l'Orangerie, Paris



Henri Matisse
French, 1869–1954
Reclining Odalisque, 1926
Oil on canvas
15 1/8 x 21 5/8 in.
The Metropolitan Museum of Art, New York



Jean Auguste Dominique Ingres
French, 1780 - 1867
La Grande Odalisque, 1814
Oil on canvas
91 x 162 cm
Louvre, Paris


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Finally, all decisions, especially in the media world, count. Why did the website African-American History Month chose to use a .gov as its domain (http://www.africanamericanhistorymonth.gov), rather than the much more common .com?

As with the politicized black artists, everything is race-relations with black Americans, i.e. the politics of the oppressed.

The domain name .gov is:
derived from government, indicating its restricted use by government entities in the United States. The gov domain is administered by the General Services Administration (GSA), an independent agency of the United States federal government. [Source]
As Laura wrote:
There is no Irish-American History Month, Italian-American History Month or German-American History Month. There is no White History Month. The Irish, the Italians and the Germans are not clamoring for these observances. That’s because they do not view themselves as separate to the same extent. They are not a separate nation. Look at the uniformity with which blacks approach politics. Almost all blacks vote the same way. No group in America has such a strong collective identity.
And she asks:
Can Americans ever amicably come to the conclusion that blacks should have their own nation and make this happen in a peaceable way?
It seems that blacks have already decided, no matter what everyone else thinks, or does. And I saw it in the simple suffix to the website African-American History Month, which is used for website's address andtitled, as though the whole of black American life is subsumed by that one month of "identity."

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Posted By: Kidist P. Asrat

Wednesday, February 11, 2015

Beck's Grammy, and the Black Artists Who Want it for Themselves


This is the song Heart is a Drum from Beck's new album Morning Phase.

There was drama at the Grammys, which I no longer watch because of the coarse behavior, the ugly outfits, the juvenile performers, and the unmusical music. And sure enough, the untalented, aggressive, entitlement-fed black rap performer Kanye West hijacked Beck as he was receiving Best Artist award.

Everyone thought it was a joke, including his pathetic wife, Kim Kardashian, who is part of the Kardashian enterprise which puts on a "reality" show on television. Her mother was also married to Bruce Jenner, the now freaky creature who decided to become "female."

Such is the level of our artists these days.

I've posted above the song which Beck sang at the Grammys, Heart is a Drum, from his deserved win, Album of the Year, Morning Phase.

It is a textured, layered piece, which reminds me a little of the Simon and Garfunkel rendition of the English folk song Are You Going to Scarborough Fair.


Simon and Garfunkel in Central Park,
Singing Are You Going to Scarborough Fair in 1981


Below is Beck performing Heart is a Drum with Chris Martin, of the group Coldplay, at the Grammys. Perhaps they are the next Simon and Garfunckel?


Beck and Chris Martin, of Coldplay, performing together at the Grammys

And here is Beck startled as West moves on stage, interrupting his Grammy acceptance.


"This is NOT a Joke!!!!!!!"

And here is West declaring he was very serious about jumping on the stage to interrupt Beck. BEYONCE WAS THE TRUE WINNER! West did the same thing in 2009 when Taylor Swift won Best Female Video at the Video Music Awards. That true winner, Beyonce, was robbed of her prize!

Such is the aggression of anti-white blacks, who declare their own standards and we better agree, or else.

Kim Kardashian, who was next to West, is realizing what she's in for with her life with West, whom she married in 2014. Below is her startled expression at West's tirade.


"That was NOT a Joke!!!!!!!"
[Source: Screen capture from Youtube]

Below is how Beyonce ended her performance at the Grammys with the now much referenced but false narrative "Hands Up, Don't Shoot" of the Ferguson shooting. Several other black performers also did the same "hands up" motion at the end of their performances. Pharrell Williams went one step further and added "hoodies" on his multicultral/multiethnic/multigendre background performers. We are ALL Michael Brown, and Trayvon Martin.


Beyonce on stage at the Grammys singing "Take My Hand, Precious Lord"

Here (youtube) is Beyonce's rendition.


Pharrell: Hands Up Don't Shoot in Hoodies as I Wear My Monkey Suit

There is a message Pharrell is trying to convey, I guess:
- He's an organ monkey
- He's NOT a monkey
- This is a joke
- This is NOT a joke
- White people think we're monkeys
- Let's play at monkeys
Another idiot on stage.

The song Take My Hand, Precious Lord is from the 2014 movie Selma, which is based on the 1965 Selma to Montgomery voting rights marches. It was performed in the film by another singer.

Selma is a gospel song written by Rev. Thomas A. Dorsey in 1956 (a black man), but performed with genuine spirituality by a white performer, Tennessee Ernie Ford, who sang in the "country and Western, pop and gospel musical genres."

Below is Tennessee Ernie Ford's rendition, with a full, white, choir which he sang in 1965, right in the middle of the civil rights era.


Tennessee Ernie Ford singing Take My Hand Precious Lord in 1965

So what do Beyonce, Pharrell, Kanye and all those spoilt, contemporary blacks think about this? I assume Beyonce has seen it, given the close resemblance of her big Grammys choir to Ford's original. She is, then, a great hypocrite.

Beyonce is no doubt a talented singer and songwriter, but her insistence on the riffs and improvisations (known as melisma [pdf article]), overloads and drowns the melody. The Grammy judges made the right call, if only for her and other blacks to listen to Beck's album, in some moment of curiosity and humility, and learn from it.

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Posted By: Kidist P. Asrat

Wednesday, February 4, 2015

An Austerism (Amongst Many)


NGC 2266
From the National Optical Astronomy Observatory website
NGC 2266 is a relatively "old" star cluster comprising stars of around 1 billion years in age. Many of its members are quite evolved, having reached the red giant stage of their lives. Our own sun will become a red giant when it is around 10 billion years old.
As I searched for an image to go with "Austerism," google images kept coming up with Asterism. I think that is actually a fitting image, and one to surely spark another Austerian discussion.
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"I am glad to be living through the apocalypse with you." [Source: The Thinking Houswife]
I emailed Laura with this message:
Isn't that another clever "Austerism," bitingly real, but which makes you laugh out loud? And so many said (at least on reading his blog) that Larry had no sense of humor!
I looked through the web to see if anyone else had used "Austerism" for Larry Auster (one other has used it for his cousin, the writer Paul Auster). The only one I could find was one (see quote below) who wasn't "glad to be living through the apocalypse" with Larry Auster or any of us Auster Acolytes, or vile sycophants, as he would refer to us, simply to irritate his non-sycophantic readers.

This comes from the blog "Diversity is Chaos," a name which would have received Larry Auster's scathing, and hilarious, approval ("To learn who rules over you, simply find out who you are not allowed to criticize," the writer at Diversity is Chaos heads his blog ):
Austerim

Dennis Mangan on Larry Auster:
But Auster is being, as usual, extremely picky about what he's willing to support. His stands remind me of the joke about Switzerland: everything not forbidden is mandatory. With Auster, everything that doesn't measure up to his exacting standards is to be condemned. He condemns neocons, paleocons, libertarians, liberals, atheists, game advocates - what's left? Only Austerism. Everything else reeks of gnosticism, nihilism, and evil. Or if it doesn't, it simply is not serious.
Interestingly, the original author of this post has deleted the post (having refused to be an Auster Sycophant, although he had qualified as one before jumping ship).

Another use (creative use) of "Austerism" is by this business writer who clearly indicates that he "invented" the word:
The greatest danger for Spain right now is the EU’s cult of fiscal discipline, let’s call it austerism.
The Lawrence Auster variation is much better.

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Posted By: Kidist P. Asrat

Tuesday, January 13, 2015

The Poor, Discomfited George Clooney



The usually debonair George Clooney looks discomfitted, here with his new wife, Amal Alamuddin

I wonder why?

Here's the scoop on her, from last March 2014 (I collected these from a variety of sources - there may be more to add):

- She’s Druze, which is an offshoot of Islam.

- She is defending Julian Assange, of the Wikileaks fame in his extradition case with Sweden

- Her mother, Baria, is a foreign affairs editor at Al Hayat, a Lebanese newspaper

- She attended NYU School of Law

- After graduation, she joined the New York firm Sullivan & Cromwell, where she worked for three years before moving to London

- She clerked for Sonia Sotomayor when the future Supreme Court justice was a judge at the US Court of Appeals for the 2nd Circuit, which covers New York

- She's worked as an adviser to the UN Special Envoy, Kofi Annan, on Syria

- She has been been Counsel to the inquiry launched on the use of drones in counter-terrorism

- She's the legal advisor to the King of Bahrain

- Sh has written on international criminal law

- She has edited a book entitled The Law and Practice of the Special Tribunal for Lebanon

- At the Doughty Street barristers' chambers, she represented Yulia Tymoshenko, the former Ukrainian Prime Minister

- She represented Abdullah Al Senussi, former Libyan intelligence chief and Muamar Gaddafi’s right-hand man in a case of alleged crimes against humanity at the International Criminal Court


Alamuddin with Julian Assange

Clooney looks peaked and stressed. I don't think it is the new life as a married man, as the new life as a man married to Alamuddin. I wonder what they talk about? The terrible United States, with all those war criminals? The wonderful Middle East, blighted and maligned by the West?

Alamuddin looks like she's close to her family. Family dinners must be something special. Debbie Schlussel writes this about her experience with the family:
Over the past few months, actor George Clooney’s been photographed all over the place with Amal Alamuddin, a very anti-Israel Lebanese Arab who worked for the United Nations and represented Wikileaks’ anti-American former chief, Julian Assange. The Lebanese legal book she authored is extremely anti-Israel and pro-Palestinian. Alamuddin, who was Clooney’s date to the Obama White House last month, is not Muslim. I’m familiar with Ms. Alamuddin (pronounced “Ah-lah-muh-DEEN”) and her family because I met her and them at the wedding of her cousin in the mid-1990s. They are extremely anti-Israel, and I was subjected to their absurd, non-stop anti-Israel questions and comments as the only non-Arab (other than the bride and her family) at a dinner the night before the wedding.

I went to law school with Alamuddin’s cousin (who has the same last name) and the cousin’s wife. I was friends with the cousin’s wife (who is not an Arab), and when they were dating in law school, I repeatedly heard from him about how he hated Israel and sided with the Palestinians and the P.L.O. Later, when I was invited to the the Alamuddin wedding, I was on the receiving end of more of that. As I noted, I was the only non-Arab at the pre-wedding dinner at Chicago’s now-defunct “Uncle Tonoose” restaurant. They all knew I was Jewish, and the conversations and questions directed at me were a mix of myself as both Jewish museum exhibit and target of anti-Israel questioning. Clooney’s future girlfriend was there, too, and she was in her late teens at the time (I was in my mid-20s).

The situation with the Alamuddin family was surreal, as I was asked repeatedly about “Jewish Europeans” “invading” Israel, er . . . “Palestine.”
Clooney, I think, is in over his head. His Druze-lawyer-anti-Israeli wife will be nothing but a handful. What a stupid man.

And one strange thing. He wore the same suit he wore to his wedding at the Golden Globes. Yes he was there for Golden Globes' lifetime achievement award, the Cecil B. DeMille Award, but doesn't that warrant its own "special" suit?

This is the confident and debonair Clooney of a couple of years ago.



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Posted By: Kidist P. Asrat