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Sunday, September 29, 2013

A Beauty Movement


Image Title: Cornus Florida. (Dogwood).
Artist: Bigelow, Jacob, 1787-1879
Medium: Engravings, Hand-colored
Source: American medical botany,
being a collection of the native medicinal
plants of the United States,
containing their botanical history and
chemical analysis, and properties and
uses in medicine, diet and
the arts, with coloured engravings
Location: Stephen A. Schwarzman Building
Rare Books Division


The New York Public Library's digital gallery has a wealth of images. I found the dogwood illustration above from the Nature Illustrated: Flowers, Plants, and Trees collection, here.


Dogwood Sketch
By: KPA


Below is an excerpt from my grant proposal for the Cullman Center Grant for Scholars and Writers at the New York Public Library.
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My book Reclaiming Beauty aims to document the contribution that beauty has made toward our Western civilization, from the earliest records of God’s love of beauty, to a young child who sees beauty almost as soon as he is born. Our civilization thrived, prospered and matured because of beauty. Our great artists, architects, writers, philosophers and scientists have always referred to beauty with awe and wonder. It is in the modern era that beauty began to be undermined and eventually neglected by artists and other intellectual leaders.

Reclaiming Beauty will show that the abandonment of beauty leads to the death of culture, and eventually society. Modern man’s neglect of beauty has initiated the cult of ugliness, leaving us with bleakness and nihilism.

But, people want beauty. And they will surround themselves with some kind of aesthetic quality. Still, beauty is the business of the knowledgeable. The man on the street may be able to recognize beauty, but he would not be able to explain why it is beautiful. That is the task of the experts.

With Reclaiming Beauty, I aim to present my ideas, observations and analyses on beauty, and to provide a guide for recommendations on how to remove oneself from the nefarious influences of our beauty-rejecting world. This way, we can build a parallel world which will eventually form a growing movement of beauty-reclaiming individuals, who can start to shape a world where beauty is not minimized and rejected.

Reclaiming Beauty will be the first book on beauty to make a comprehensive, historical, cultural and societal review of beauty. It will describe the moment (or moments) when beauty was not only undermined, but eventually abandoned, as a paradigm of civilized life. Rather than attributing beauty to a Godly goodness, philosophers, writers and artists began to view beauty as their enemy, and as their nemesis. They saw God as a judge who would not let them do as they wished. In order to pursue the image of beauty they desired, they began to look elsewhere. They began to abandon God, and by abandoning God, they began to change their world, filling it with horror and ugliness.

I maintain that this was not their objective, which was merely to look for a different perspective on aesthetics. This realization may have come too late, and too weakly, from the cultural leaders, but ordinary people, who are most affected by these changes in worldview, are already incurring changes. But they cannot make useful inferences, and hence necessary changes. They still need an elite to help them materialize their desires and observations.

A new elite that is pro-beauty needs to take the cultural reins, to guide and return our world back to its awe and wonder of beauty. To this end, Reclaiming Beauty will add an element which no other book on beauty has attempted: guidelines on how to renounce this world of anti-beauty, and how to progressively bring beauty back into our culture.

The book will be a manifesto for concrete references to these basic ideas. Along with the book, a website will be developed that will be an interactive continuation of the book. On the website, members can post their original articles, shorter commentaries, articles and excerpts from other authors, and encourage feedback and comments from other members. At some point, this group can develop into a more formal society, which can meet in a physical locations a few times a year, building beauty societies, whose purpose would be to develop ideas and strategies for bringing beauty back into our culture.

Part of the book will revised versions of what I've been developing over a number of years in my blog posts at Camera Lucida, Reclaiming Beauty and Our Changing Landscape, and from my full-length articles from Kidist P. Asrat Articles.

All images that head the chapters will be from my own collection of photographs and designs. Some of these images can be found at Kidist P. Photographs and Well-Patterned. Others I will choose from my collection of photographs, mostly in negatives and prints. Others I will take as the project progresses.
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Posted By: Kidist P. Asrat
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Sunday, September 22, 2013

Chapters for Book: Reclaiming Beauty: Winning Back Our Civilzation



Here are the working titles:

Introduction

Chapter One
The History of Beauty
- Myths and Legends
- Antiquity
- The Dark Ages
- The Enlightenment
- Tradition

Chapter Two
Beauty in Culture and Society
- The Transcendent
- Religion
- Worship of God
- Truth and Goodness
- Humanity
- Femininity
- Masculinity
- Tradition

Chapter Three
Beauty in Art
- Architecture
- Painting
- Drawing and Illustrations
- Film
- Photography
- Dance
- Design and Fashion
- Art Criticism

Chapter Four
Beauty in Language
- Literature
- Poetry
- Writing
- Books
- Humor

Chapter Five
Beauty in Science and Nature
- Science
- Nature
- Technology
- Inventions
- The Galaxy
- Earth
- Plants
- Animals

Chapter Six
Beauty in Religion
- Religion
- Christianity
- Judaism

Chapter Seven
Beauty in the Modern Era
- Modernity
- Postmodernism
- Politics
- Multiculturalism

Chapter Eight
Desecration of Beauty
- Rejecting Beauty
- Elimination of Beauty
- Reign of the Ugly

Chapter Nine
Reclaiming Beauty
- Steps to avoid the era of desecration
- Steps toward true beauty
- Influencing family and community
- Changing the World

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Posted By: Kidist P. Asrat
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Saturday, September 21, 2013

Reprise: Moratorium on Islamic Representations



I wrote the blog entry Moratorium on exotic representations almost five years ago. The problems, and my appeal, are still relevant (and even more so) today. I wrote the post at my archived blog Our Changing Landscape, where I was chronicling Islamic incursions into our societies.

Perhaps a more appropriate title for the post, which better describes our current problems, would be: Moratorium on Islamic representations.

I understand the attraction to the beauty of Islamic art, which is really Islamic design (figurative representation is prohibited in most Islamic art). But, the intent of the art is contrary to our Christian beliefs, and its mesmerizing and hypnotic designs can lead us to stray.

Below are some posts, including an article, which I wrote on the topic.

There are many more posts at Our Changing Landscape, classified alphabetically from Art to Women, as well as articles, interviews, "conversations," and and other blogs and websites, all describing, chronicling and warning against this "changing landscape."

At the bottom of this post, I have posted a comparison between the Jihadi's and the Crusader's swords. I found the image for the post on the web, on a blog titled Historical Novel Review. The image is an illustration for a book titled: The Sword of Faith. The blogger who posted the book cover writes:
Two larger than life men are at the heart of this sweeping epic. One is Saladin, the charismatic and chivalrous Saladin who staunchly conducts himself with honour even though his followers did not always obey his orders. He is driven to defeat and oust the foreign Christians forever from his lands. His rival is Richard the Lionheart, the pious and gallant English prince and king, who aims to re-conquer Jerusalem, the city the Christians lost to Saladin years before. Both men believe themselves called by God to lead their armies to victory against each other.
We are back at romanticizing Muslims, Islam and Jihad. The book was written in 2010, ten years after the September 11, 2001 attacks. The author, Richard Warren Field, clearly spent some years thinking about, drafting, writing, then publishing the book. It might be safe to say that he started the project after a buffer lapse following 2001 (around 2003/4?). Here, at his blog, is his misinformed idea about Islam and Muslims. He says things like:
I learned quickly that there is a constructive, altruistic side to Islam, historically, and in the present-day. What Western European historians commonly call the “Dark Ages” occurred while Muslims were experiencing their “Golden Age.” Muslims preserved Greek learning and advanced in many intellectual pursuits, including medicine and astronomy. These personal discoveries factor into the themes of The Swords of Faith. Knowing these facts beckons us to reach out to moderate Muslims, to Muslims who embrace the constructive and altruistic aspects of their faith. Then, together, we can defeat the fanatic terrorists trying to hijack Islam.
That is how short our memories are, or how clouded (we still categorize Muslims between moderate and extreme, a categorization which they themselves reject). But Muslims' memories are long, and wrathful. Gullible Westerners fit right into their plans. Here is Lawrence Auster's two-part article:
- The Search for Moderate Islam: Part I
- The Search for Moderate Islam: Part II
- The Search for Moderate Islam: Part II Concluded
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Full Niqab in Full Daylight
November 27, 2008

This is what I saw crossing the street while stopping at a red light in downtown Toronto. Well, the one I saw was all in black, which was even more frightening.

It was shocking. A small, squat woman, dressed from head-to-toe in this garb. I have never seen anyone come out dressed in full niqab, as it is called, in full daylight in the city.

It shows a tremendous amount of confidence for her to walk out like this, probably the only one in the streets.

But not for long. If one dares to come out like this, there must be hundreds others getting ready to do so. Slowly, like the less intrusive hijab, this full-length dress is being introduced into our landscape.

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Moratorium on exotic representations
September 26, 2008

I understand and appreciate fully the creative desire at times to represent "exoticism." And this is just what I did with my gouache print design which I did a couple of years ago entitled "Desert Jewels." I'm pretty sure it is the turquoise domes of the Iraqi landscapes which inspired me to do this.

But, this type of occasional representation is a far cry from the stories of design and fashion changes that our Muslim residents are planning for our cities.


Desert Jewels
[Design by: KPA]


With sadness, I have to conclude that exoticism has to be out for now. And we are far better off going back to our original landscape to reinforce it back into our psyche.

Fortunately, I did just that last year, with my Trillium and Queen Anne's Lace series.


Trillium and Queen Anne's Lace
[Design By: KPA]


Update: August 12, 2010
Moratorium on exotic representations

I have already posted my article Stealthy Islamic Inroads into our culture (published at Chronwatch.com) at a recent blog post, but it bears referencing once again since it documents the cultural (and not just political and religious) inroads Islam is making into our society.

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Muslim Girl Magazine
September 26, 2008

Muslim Girl with her patriotic hijab; Western Girl trying new styles
Muslim Girl Magazine is now available as a glossy print in major book stores like Barnes and Nobles in the U.S. and Indigo/Chapters in Canada. It also has an online version.

Not only will our streets show an ever-increasing population of hijab and other Muslim fashion, but so will our newstands.

This is another major inroad into our landscape. No longer will the fashions of Vogue and Elle adorn our magazine shelves, but a new and alien image - of non-fashion becoming fashion - will start to compete for magazine shelves. How many variations of hijab styles will we see?

The launching issue of Muslim Girl had a real Muslim girl (as all the editions promise to do). What is extraoridanry about this issue is how the editors wanted to make it look like any other American girl's magazine, all through careful juxtapostitions of words and imagery.

A small American flag showing mainly the stars, with a glimpse of the stripes. These stripes are then continued in the hijab pattern the girl is wearing. The captions prominently say "Growing up American." Yes, as a Muslim Girl.

Now, Western Girls can join in all the fun that Muslim Girl describes through the fresh and airy articles. In fact, those bandana-headscarves can start the ball rolling.

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Islamic style facade in a quiet residential area
September 27, 2008

Small, ominous signs of Muslim presence are cropping up in residential areas. This new building in the down town of a Canadian city, is a 21st century version of the Moorish Revival which occurred in cities in Canada around the 19th century. What is different about this new resurgence is that it is also accompanied by large Muslim groups, who are building their other institutions to continue their cultural and religious practices here. It is more of an insurgence.

But, the more we get used to these ogee arches in ordinary buildings, the more we will be accepting when more radical shapes likes mosque domes and minarets. It is after all, just “architecture.”

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Start small, and get bigger
September 27, 2008

By now, most of us would have become used to the "halal" signs which periodically spring up in shops we would not normally enter. After all, shop owners have the right to sell what they want, as long as it is legal. Although talking about legality, it was in one of those kinds of shops where Somalis were (are?) illegally selling their drug, khat, in various Toronto locations.

And as always with Muslims' presence, it gets bigger and more aggressive. They flex their muscles to see how far they can really go, withdraw slightly until they can spring back again.

Halal signs from small, privately owned ethnic stores, to signs of halal "certification", to billboards for fast food chains on highways. Then, take over the whole world, of course.

How ever did we get here?

So audacious have halal-proponents in fast food restaurants become that in two McDonald's restaurants in Australia, there were non-Muslim customers who were unaware that they were eating halal food.

Here's a quote from the story:
A Catholic Church spokesman said non-Muslims deserved to know if the food was halal before buying. But he said there was no biblical reason for Christians to avoid halal food.
Just how the Muslims like it. Plenty of koranic reasons not to eat non-halal meat, but we Catholics et al. will be happy to oblige our dear Muslim folk.



And we wouldn't even see anything unusual about huge billboards like this in Dearborn, Michigan. Another KFC? Well, let's just have some, the meat is even blessed. But first, start with the less conspicuous halal Subway sign on a wall in a food court (this time in Sidney, Australia), then you can supersize.

And by the way, the Arabic script in the Subway sign? That spells out "halal". That, and other words, will soon be part of our "vocabulary".

More wings, and authenticated halal fast food--including pizza--available in 150 restaurants in downtown Toronto.

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Article:

July, 7, 2008
Stealthy Islamic inroads into our culture
(Originally published at Chronwatch.com)

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The Jihadi's Executioner's Saber vs. The Christian's Piercing Tool
September 21, 2013



Here is the image of swords I found on the cover of the book The Sword of Faith. It is fascinating to compare the swords:

- The Cursader's sword is sharp, long and thin. Its purpose is to pierce the enemy with one accurate thrust, in a vulnerable part of his body (his heart, liver, etc.) and to kill him instantly. There isn't rage of anger behind the thrust as much as a desire to make a clean and efficient kill: to be rid of the enemy.

- The Jihadist's sword (a type of sabre known as a scimitar) is more ornate, with its curved blade and decorated handle. It looks like a heavier weapon than the Cursader's sword, with a thick section at the curve.

It's purpose is to sweep the sword across, and decapitate the enemy, or remove a limb or a body part. It is difficult to cut off a man's head. Accuracy is not required as much as force. If one gets the sword near the general position of the neck, then a forceful swoop will get anything off.

Removing the head is also a sure way of killing the enemy. But, with a trophy at the end: the enemy's head.

I can envision a Jihadist killing his enemy with his sabre/sword while emitting loud sounds of rage, or even crying out "Allahu Akbar" Every ounce of his body is engulfed with this rage. His rage is Allah's rage, and Allah's rage is his rage.

The Christian crusader would be quieter, and even quiet. He is not killing in revenge or anger. He is killing remove the enemies and obstacles of God. His efficiency and precision is to get to that point as quickly as possible. He knows God is watching his moves, and his soul. Even on the battlefield, he has to remain pure.

Here is a site on weapons of the Middle Ages, describing the oriental sabre, known as the scimitar:
Scimitar

This weapon was a type of sword most commonly associated with the Saracens in the Holy Land who fought against the Crusaders

Used for slicing attacks and often used from horseback

Scimitars had a distinct curved blade ending with a sharp point

The blades had two styles - long, narrow curved blades or deeply curved, very wide blades

The length of the blades ranged from 30 to 36 inches (76 to 92 centimetres)

Designs of scimitars varied accommodating use as one or two-handed weapons

Used as a close contact weapon and also used from horseback

A blow could apply tremendous force inflicting significant injury to a knight in armor

The weapon was primarily used for cutting or slicing an opponent and was capable of cutting off the limbs or head of an enemy in one stroke

Type or group of weapons - Cutting Weapon
And I got all this just from analyzing the two swords from a design point of view!

Here is what Wikipedia says about the scimitar:
A scimitar is a backsword or sabre with a curved blade, originating in Southwest Asia (Middle East). The Arabic term saif translates to "sword" in general, but is normally taken to refer to the scimitar type of curved backsword in particular.

The curved sword or "scimitar" was widespread throughout the Muslim world from at least the Ottoman period (but a lot of similar sword like Zulfikar, al-Mikhdham, al-Qadib... etc. were already used by Arabs), with early examples dating to Abbasid era (9th century) Khurasan. The type harks back to the makhaira type of antiquity, but the Arabic term saif is a loan from Greek xiphos (the straight, double-edged sword of Greek antiquity). The Persian sword now called "shamshir" appears by the 12th century and was popularized in Persia by the early 16th century, and had "relatives" in Turkey (the kilij), the Mughal Empire (the talwar).

[...]

Scimitars were used in horse warfare because of their relatively light weight when compared to larger swords and their curved design, good for slashing opponents while riding on a horse. The curved design allowed riders to slash enemies and keep riding without getting stuck as stabbing with straight swords on horseback would. Mongols, Rajputs and Sikhs used scimitars in warfare, among many other peoples.

Many Islamic traditions adopted scimitars, as attested by their symbolic occurrence, e.g. on the Coat of arms of Saudi Arabia.

The earliest known use of scimitars is from the 9th century, when it was used among Turkic and Tungusic soldiers in Central Asia.

The scimitar is also used in Saudi Arabia as an executioner's tool for beheading.
The whole Wikipedia post on scimitars describing the East and West variations in sword design, is very interesting.


Left: Jihadist Flag
Right: Flag of Saudi Arabia


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Posted By: Kidist P. Asrat
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Friday, September 20, 2013

Our Journey To Truth

In our most recent email exchange, Kristor (who sent me images and his impressions on the Philadelphia City Hall capitals, which I posted here), writes this:
Your post had a photo of Leonidas lying pierced on a bed of shields. It was the custom in ancient times to pile shields of the vanquished at the foot of the trophaeum. Here’s a photo of a relief from Trajan’s Column – NB, a column, covered with depictions of war – that shows a Roman trophaeum, from the Dacian Wars.
Here is the accompanying image:


Relief on Trajan's Column showing
the piled shields of the vanquished


Here's what Wikipedia says about Trajan's Column:
Trajan's Column (Italian: Colonna Traiana) is a Roman triumphal column in Rome, Italy, that commemorates Roman emperor Trajan's victory in the Dacian Wars. It was probably constructed under the supervision of the architect Apollodorus of Damascus at the order of the Roman Senate. It is located in Trajan's Forum, built near the Quirinal Hill, north of the Roman Forum. Completed in AD 113, the freestanding column is most famous for its spiral bas relief, which artistically describes the epic wars between the Romans and Dacians (101–102 and 105–106). Its design has inspired numerous victory columns, both ancient and modern.

The structure is about 30 metres (98 ft) in height, 35 metres (125 ft) including its large pedestal. The shaft is made from a series of 20 colossal Carrara marble drums, each weighing about 32 tons, with a diameter of 3.7 metres (11 ft). The 190-metre (625 ft) frieze winds around the shaft 23 times. Inside the shaft, a spiral staircase of 185 stairs provides access to a viewing platform at the top. The capital block of Trajan's Column weighs 53.3 tons, which had to be lifted to a height of c. 34 m.

Ancient coins indicate preliminary plans to top the column with a statue of a bird, probably an eagle, but after construction, a statue of Trajan was put in place; this statue disappeared in the Middle Ages. On December 4, 1587, the top was crowned by Pope Sixtus V with a bronze figure of St. Peter, which remains to this day.
As I wrote in my previous post:
The ancients influence us, through their own type of wisdom, and their own journies towards truth, our truth (which is that of Christianity).
Pope Sixtus V crowned this Roman column into a Christian monument, replacing the figure of Trajan with that of St. Peter in 1587. St. Peter reaches out to the gates of heavens with his keys and his judgement, atop this tall column.
Matthew 16:19:
"I will give you the keys of the kingdom of heaven; whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven."

Trajan's Column in Rome, with St. Peter at the top
More on the history of the Trajan Column here



Top of the Trajan Column with St. Peter's figure
As part of the extensive rebuilding of Rome, Pope Sixtus V capped the Trajan's Column with a large bronze statue of St Peter in 1587. The artist for the statue, Leonardo Sormani, was part of a stable of artists and architects whom Sixtus used for his numerous projects...

Sormani's muscular St Peter has an active striding pose, the figure turning on axis as he extends his keys into space. The exaggerated facial features, perhaps necessitated by the great height of the figure from the ground, recall those of earlier papal images.


[Text Source: Web Gallery of Art]
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Posted By: Kidist P. Asrat
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Miss Rigged America: Update



In my post on the recent Miss America competition, I wrote:
Reports are out that [Miss America 2014] called last year's Miss America "fat as s..t." A fellow contestant recorded her saying it in a hotel room.
Miss America is now saying that she never said this. She went on a daytime talk show and said:
"It was a really unfortunate situation, and I never said those things about Valerie..."
Fox News reports:
Following complaints to pageant organizers, Davuluri sent a message on Facebook to Hagan saying, “I want to apologize for the awful statements made by people in my room ... There were people who claimed to be my supporters and said things I never agreed with, nor supported ... I was never a part of the words or statements that may have been hurtful ... I’m sorry if someone said something that was inappropriate.”
She said this publicly, so the statement has to be true.

Still, what kind of company does she keep, that the conversation in a "private party" descends to that level? I still think that the level of aggression and aggressive behaviour has increased in the past decades, with immigration and multiculturalism.

Soundbites of Miss America's pageant statements are making the news (and internet) rounds. Her "I was the first Indian Miss New York, and I'm so proud to be the first Indian Miss America" is now being quoted from a nice diverse mix of media, ranging from ambivalence to disapproval (not much diversity there), from FOX News to CNN to NPR.

NPR titles its Miss America program: Is Nina Davuluri 'American Enough' To Be Miss America?
This story may wane, but its issues will continue. As I said in my previous post Miss Rigged America: We're in for interesting times.
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Posted By: Kidist P. Asrat
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Thursday, September 19, 2013

Trophy


Philadelphia City Hall: European Capital
Sculpture by Alexander Milne Calder, 1873-93

[Images sent by Kristor]

Kristor, who writes for the Orthosphere, sent the following email:

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The capital [on the Philadelphia City Hall] is rendered all the more evocative by the consideration that columns in ancient temples were taken by the First Architects to be evocations of the trees of the sacred groves, where victims were sacrificed on altars (much of classical architecture has sacrificial signification). Sometimes the altars were at the feet of the sacred trees, sometimes they were the trees themselves. The bodies of the victims, or whatever remained of them after the feast, were hung on the trees (a trope familiar not just from the Cross, but from the Druid rite of human sacrifice, wherein the body of the victim was hung on an oak). The trees of the sacred grove were thus richly adorned with bones, skulls, etc.; often also, in the case of human sacrifice, with the armor and weapons the victims had been wearing when captured in battle. Over the years, the trees would grow around and engulf the bones and weapons, so that the victims would be entombed, in and of the trees. So in the vernacular of ancient architecture, it isn’t just that columns were trees, they were also the bodies of consecrated victims. The sacrifice upheld the order of the world – cf. Atlas, and the Caryatids of the Acropolis, and also the columns of the Temple, and the pillars Jachin and Boaz that stood at its portal.

That’s why the capital struck me so. Here’s a link (Preview) to a photo of all four columns.

The Greeks used to plant a tropaion on each battlefield, at the point where the battle had turned (“trope” is “turn;” this is why a trope is a turn of phrase: a turn of the word, a turn of the Word, a turn of the Logos, of the Tao of history: the trope of cosmic history occurs when the Word vertically intersects its horizontal course, thereby turning it) in their favor. The tropaion was a cross, adorned with the armor of the vanquished. Soldiers who died in battle were considered consecrated victims, martyrs to the cause of their people; the glory of the martyred sacrificial victim, his literal glorification in the heavens as a demi-god (cf. Valhalla), was one of the main motivations for ancient warriors. So the trophy on the battlefield was a sacred object, its locus an outdoor temple; and sacrifices were poured out at their feet. They often became destinations of pilgrimage and locations of regular sacrificial rites, commemorating the victory. This is why they so often became crossroads; and it is why churches are so often at the very center of villages (when they are not on hilltops, surrounded by fortifications).

Eventually, the tropaion was also carried back to the polis in the victory parade; that’s how it was done with the trophaeum at Rome. The captured enemy, now slaves (Latin “servus,” slave, meant “saved from death,” conserved), were paraded in chains, together with wains bearing spoils and trophaea bearing armor. The trophies were set up in temples.

Interestingly, there seems to have been a trophaeum at the East end of the Temple in Jerusalem at one time, clothed in vestments – perhaps armor – of shining bronze, to which the Israelites rendered homage; the trophaeum being, obviously, a sign of the victim (who was in very ancient times the King or the High Priest), who had been consecrated to God, and had therefore put on the whole armor of God, becoming an angel, a star. Something I just now realized: the three crosses at Golgotha are a type, a quotation, of the three pillars of the Temple Mount: Jachin and Boaz on either hand, and the Temple with its trophaeum in the center. Or, perhaps, it’s the other way round: the trophaeum and pillars of the Temple are a type and quotation of the crosses at Golgotha. I suppose the signification works both ways.

One of the bandits objects to his defeat by the Roman conqueror, and his sacrifice on the pillar; the other embraces it, and attains martyrdom, and is glorified.

[End]

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The images below were triggered by Kristor's phrase from the email: "So in the vernacular of ancient architecture, it isn’t just that columns were trees, they were also the bodies of consecrated victims."


Leonidas, standing in front of "The Tree of the Dead" in the film 300,
"resembling the converted Roman soldier at the Hill of Calvary, later martyred."


The quote above is from my article: Channeling the Great Artistic Themes of Christianity in the Movie 300.

Leonidas is later martyred, and appears in the film pierced by a multitude of arrows on a sheath of shields. See below historian Helena P. Schrader discuss his "proto-Christian" martyrdom.

There are several St. Leonidas' (or martyred men called Leonidas - read here for more clarity), but I don't think they refer, in any way, to the Leonidas of Sparta.



Leonidas, played by Gerard Butler in the movie 300, is stretched out on a sheath of shields, and like Saint Sebastian, his body is pierced with arrows.


St. Sebastian,
Andrea Mantegna, 1480,
Musée du Louvre, Paris


St. Sebastian stands bound to a column, as though onto a tree.

Here is a historian and author Helena P. Schrader who argues that Leonidas, although he lived 500 years before Christ, was a "proto-Christian."
Leonidas lived roughly 500 years before the birth of Christ and did not benefit from his teachings or example. Yet, while working on my three-part biography of Leonidas of Sparta, I came to realize that Leonidas fascinates us to this day not because of his historical role (he lost a battle) but as a moral figure. It was Leonidas’ conscious decision to sacrifice himself for his fellow Greeks that made him such an appealing historical figure. Leonidas attracts us not because he was a Spartan king, but because he was prepared to defy impossible odds for the sake of freedom.

Critical to the appeal of Leonidas is that he died fighting a defensive – not an aggressive – battle. Equally important is the fact that he faced death consciously; Leonidas knew he was going to die, but that did not deter or even dishearten him. Most important of all, Leonidas did not die, like Achilles or Hektor, for the sake of his own glory and even for honor, but for the lives and freedom of others.

Leonidas’ conscious decision to die in order to save Sparta from destruction was proto-Christian. His example is morally up-lifting, and his story inspirational. These, not a fascination with Ancient Sparta, are what make his story worth telling and make his story worth reading.
The ancients influence us, through their own type of wisdom, and their own journies towards truth, our truth (which is that of Christianity). I got this idea from reading Edith Hamilton's wonderful survey Mythology (recommended to me by Lawrence Auster).

(Here is our email communication, in 2011:
KPA: Hi Larry,

I've read your posts on Lattimore's translation of Homer's The Iliad. I've tried to get a copy of the book, but several bookstores have to order it in (!), and it takes a couple of weeks. But Lattimore's translation of Homer's The Odyssey is available at a couple. Do you think this is a good place to start until I get The Iliad?

LA: First, have you read any other version of the Iliad, like a prose translation?

Are you familiar with the story, from other reading? Yes, the Lattimore translation has a lengthy introduction, but I would say, before plunging into Homer, to familiarize yourself with the story, because Homer famously begins in the middle of the Trojan War (actually late in the war), and only obliquely refers to how the war began, because the war is not his main subject, but the anger of Achilles, which is an episode of several weeks in the middle of the war.

A marvelous telling of / introduction to the Trojan War is in Edith Hamilton's Mythology. That will prepare you for reading the Iliad.

As for the reading the Odyssey first, I would say no. The Odyssey is completely different from the Iliad, and also the events it tells take place after the Iliad. The Iliad should be read first. Also, the Iliad is far superior.)


Modern Statue of Leonidas, erected in 1968 in Sparta, Greece

The script at the top is attributed to Leonidas' "Come and get them" referring to the Persian army:
A Persian emissary was sent by Xerxes to negotiate with Leonidas. The Greeks were offered their freedom and the title "Friends of the Persian People," moreover they would be re-settled on land better than that they possessed. When these terms were refused by Leonidas the ambassador asked him more forcefully to lay down his weapons. Leonidas' famous response was for the Persians to "Come and take them" (Μολὼν λαβέ). A more famous response was from his general. When Leonidas refused to back down the messenger told him, "Our arrows will block out the sun." To this Leonidas' general replied, "Then we shall have our battle in the shade!" With the Persian embassy returning empty-handed battle became inevitable. Xerxes delayed for four days, waiting for the Greeks to disperse, before sending troops to attack them.
[Source: Wikipedia].
I don't know what the Greek below that says, but I would think it is a description of the statue.
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Posted By: Kidist P. Asrat
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Wednesday, September 18, 2013

Miss Rigged America


Miss New York, above, performs in the "talent" competition of Miss America 2014.
With the bouncy moves and catchy melody of Bollywood, Miss New York was in her element.
At some point, she was even supplicating to her Indian gods.


I really think the Miss America contest, which was aired a couple of nights ago, was rigged.

I settled down to watch it, ambivalent, but interested to see the outcome.

I almost switched off the television when Miss New York went full-out with a Bollywood dance, hopping skipping, and supplicating to her idols.

I say that the show's outcome is rigged, or determined by the multi-culti panel of judges.

The judges were:
1. A White Female: Deidre Downs Gunn
- 2005 Miss America winner
2. A White Homosexual: Mario Cantone
- Comedian by trade
3. A Jewish Male: Joshua Bell
- Violinist, "I identify myself as being Jewish". But no with religious commitments.
4. A White Female: Barbara Corcoran
- The vicious "investor" in the reality show “Shark Tank.”
5. A Black Male: Amar’e Stoudemire of the Knicks
- "Spiritually and Culturally" Jewish, "although not a religious person." His claims for Jewishness are not proven, but anything is better than the White Man's religion, and it might be a good thing he didn't chose to be a Muslim.
6. A Black Female: Carla Hall
- She's a model-turned-chef. I suppose it is the modeling background (fifteen years ago) that gives her licence to be a beauty judge, but judging by her frazzled appearance, I wouldn't want her on my committee. And to judge her looks, she's not beautiful, but fits into that criteria of black models which were sought after by haute couture (mostly French) designers in the 1990s, I guess to spike up their runways.
7. A White Homosexual: Lance Bass
- He was a Boy Band singer in 'N Sync. And he can't get away from those boys, and started a new "boy" band in 2011 (at the ripe old age of 32).

And no straight white male on the panel.

So it is hardly surprising that this multi-culti group would promote their own multi-culti America. And what is more American than a Miss America pageant.

Last year's Miss America came back to relinquish her crown. She was overweight, almost obese. It must be hard maneuvering around the world as a representative of America, and American beauty, yet to encounter around every corner images and peoples that don't resemble her, or her America.

I felt sorry for her.

There was just one woman white woman amongst the Top Five contestants, and not a single blonde, the quintessential American beauty. All the blonde women were kicked out by the Top Ten level.

The white woman, Miss Florida, was injured during some preliminary practices at the competition. I think she joined the Top Five group out of some sympathy vote by the judges: "Look how strong Miss Florida is, how she doesn't let an injury stop her!" But she also looks Hispanic, and hence, non-white. I wish her luck with future physiotherapy sessions, and a complete healing of her leg. The judges would have done her a favor by sending her home to recover.


Top Twelve contestants for Miss America
Only three blondes left by this level, and six (of the twelve) are non-whites, or hybrids of white/Asian or white/black.




Miss America 2014's beauty doesn't come close to these delicate blondes. There is something aggressive about her looks. In fact, about her behavior also. Reports are out that she called last year's Miss America "fat as s..t." A fellow contestant recorded her saying it in a hotel room.

And finally, how does a cross-eyed woman pass as one of the five most beautiful women in America? That is what happened with Miss California (who "proudly" says "I am Chinese." She doesn't even bother with the "American" hyphen). The Chinese Miss California also enlarges her eyes with excessive make-up, once again showing us that standards of beauty are not arbitrary.


Miss California's "I am Chinese" Crystal Lee
"We both come from Chinese conservative families,"
says Crystal Lee during an interview which compared
her with Hawaii's Crystal Lee. What happened with at least
"We both come from Chinese-American families?"


I think it is the current infatuation with Asians, as though they surpass, or have surpassed, anything whites have done.

Below is Miss California performing a movement from the Swan Lake ballet for the "talent" section of the pageant. She is of course the white swan. Look at her clumsy, stiff hands. What ballet-lover would give that artistic merit? She looks more like a contortionist than a dancer. As usual with East-Asians (Chinese, Korean etc.), they have a subtle arrogance which leads them to believe they can do what whites do, but better.



At least South-Asians (Indians, like Miss New York) return to their own roots, and perform well what they know, rather than copy badly what they don't. Even grandmas in India know this. Miss New York's grandmother had her say in her granddaughter's win:
"I am very, very, happy for the girl. It was her dream and it was fulfilled," 89-year-old V Koteshwaramma said by phone from her home in the city of Vijaywada, in southern India. [Source: The Guardian]


A flurry of rejected blondes came on state to wish their nemesis, the newly crowned Miss America, well. It was another sad moment, like the appearance of the overweight Miss America from 2013.





Notice the first to run up to the new Miss America are two blonde contestants.


Top Five:
(L-R) Miss California, Miss Florida, Miss New York, Miss Oklahoma and Miss Minnesota


Out of the fifteen contestants, ten, or 67%, are blonde.

Out of the Top Five, 0 are blonde, and two (Miss Florida, who could pass for Hispanic but is of of Welsh background), and Miss Oklahoma are white. Even Miss Oklahoma has some native American/Hispanic look about her.

When will whites, the founders, maintainers and cultivators of America, realize how their country is being swept away from them, and with their blessing?

But there is a "twitter backlash" where anonymous posters were posting comments like:
- This is Miss America... Not Miss Foreign Country.
- Shes (sic) like not even american and she won miss america.

- I am literarily soo mad right now a ARAB won.

- WHEN WILL A WHITE WOMAN WIN #MISSAMERICA? Ever??!! [Source: The Independent]
And I'm not the only one who thinks that beauty contestants are now rigged to allow the "multi-culti" flavor to pass through. Here is Miss Pennsylvania from the 2012 Miss USA, who resigned her crown:
The Miss USA pageant representative from Pennsylvania resigned her crown claiming the contest is rigged, but according to organizers the beauty queen was upset over the decision to allow transgender contestants to enter.
And finally, it is only in America where Miss New York would be considered beauty pageant worthy. Here is what her ancestral homeland's writers say about her win:
[In] India, we prefer our beauty queens strictly vanilla — preferably accessorised with blue contact lenses.
This Miss America contest has publicly revealed a very interesting, and what will be a prolonged, polemic on race, immigration, culture and ultimately society. Ordinary Americans are now openly commenting on the changes they see, and their disagreements with these changes. We are in for interesting times.
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Posted By: Kidist P. Asrat
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Monday, September 16, 2013

Starting Out in the Evening



I meant to write this review, of a film and a book, a while ago. I found it in my "draft" files, and here is the finished piece.

Starting out in the Evening is a quiet, graceful film about Leonard Schiller, a New York writer who is working on what could be his final book, and Heather, a young, aggressive graduate student who disrupts his life to do research for her master's thesis on him. Leonard is initially taken in by this bold young woman, and reluctantly agrees to her regular visits to interview him. He admires her persistent and intelligent personality. But he refuses to answer personal questions, saying that explaining his books and the ideas behind them is sufficient.

Leonard's daughter, Ariel, meets Heather on one of her visits to her father, and jokingly asks Heather if she a burglar. This becomes an inadvertently astute observation. Heather ends up "stealing" part of Leonard's life by digging into a past that he never told her, and putting it in her doctoral dissertation without his permission. And Leonard trusted Heather enough to give her a key to his apartment, which she betrays by rummaging around in his study for information that she wouldn't (or couldn't) obtain from him. She found a box full of photographs in Leonard's study, and took (stole) a photograph of Leonard in his younger days.

Heather, in her inquisitive and prying manner, finds out a sad story of betrayal about Leonard and his wife, which Leonard omitted from telling her during the interviews. Heather includes this piece of information in her final thesis draft, concluding that Leonard's writing turned nihilistic, and less literary, after this betrayal. Leonard is unaware of this addition until Heather gives him the final draft to read.

Any affection Leonard may have had for Heather is erased after he reads her work. He shows this during what is to be Heather's visit to his apartment, when she came to see his reaction to her work. Leonard makes no small talk with Heather, and lets her sit at his kitchen table as he drinks his tea. He then moves his hand towards her face, as though to stroke it, and Heather moves slightly forward to receive his caress. Instead, Leonard flicks his wrist in a short and sharp manner, and slaps Heather hard on her cheek. Like a true narcissist, Heather doesn't have any remorse, or realization of any wrong doing. "I didn't deserve that," she says. Leonard sits back, and closes his eyes as though for a nap. Heather leaves the keys to the apartment on the kitchen table, and walks out.

This little scene is a turnaround for Leonard, who finally tackles his typewriter to work on the book which had eluded him for so long. "My characters haven't done anything interesting for over a decade," he says at one point in the film. The novel is titled: Starting Out in the Evening.

The last scene of the film is Leonard hunched over his typewriter. It is a still life shot of him, although a cinematic still life. The camera slowly pulls out of this motionless Leonard, from the confined and restrictive frame of just his face and hands, to gradually include his typewriter, his desk, a lit lamp, and the open curtains behind him. We realize that Leonard is now in his writing "sanctuary." Leonard then begins to type confidently. He is starting out again, late in the afternoon, late in his life. But he's starting out again.

Despite the story being set in New York City, it is a film about interiors: the interior of Leonard's apartment, the interior of his mind, the interior where writers and artists access their thoughts. And these interiors are silent sanctuaries.

The film is a quietly elegant, much like Leonard's personality.

There is a DVD of the film - a little hard to find, but available (here). It is worth buying and watching.

The book is surprisingly literary, and a pleasure to read. Here is how we are introduced to Leonard, at the very beginning of the book, when he meets Heather for the first time in a coffee shop:
The door opened and a man came in from the cold. He was wearing an enormous coat - a coat that was like a house - and a big, furry, many-flapped hat. He peeled off the hat and stepped for a moment in front of the cash register, stamping off the snow. He was wearing galoshes.

They had never met, but he picked her out instantly, and he came toward her, smiling.

[...]

"So," he said finally, "you've embarked on a project of questionable merit. You're working on a study. Of me." He shook his big head sadly.
The filmmakers stayed quite faithful to the book, but of course they had to leave out many small details, making a more impressionistic film, where expressions relay messages and images describe psychological states (like the camera making a slow zoom out of Leonard's room to show us his "liberation" from his past ghosts, and his resumption of his book). The book and the film complement each other very well.

Here is a surprisingly good review by the New York Times:
A crepuscular glow suffuses Andrew Wagner’s intelligent, careful adaptation of a near-perfect novel by Brian Morton. One of Mr. Wagner’s themes (and also Mr. Morton’s) is the waning of that old, literary New York, the twilight of an idea of the city as a capital of the modern mind. Leonard Schiller, one of the main characters, is a retired teacher and all-but-forgotten novelist. Leonard, as embodied by Frank Langella, is a picture of old-fashioned decorum and steadfast dignity. Watching Mr. Langella’s slow, gracious movement through “Starting Out in the Evening,” I was reminded of Burt Lancaster in Luchino Visconti’s adaptation of “The Leopard.” In some ways the comparison is absurd, but both movies concern an old man who has outlasted the social order in which his life made sense. And what is so remarkable about Mr. Langella is that he seems to hold Leonard’s intellectual cosmos inside him, to make it implicit in the man’s every gesture and pause. Instead of nostalgia, “Starting Out in the Evening” offers a clear-eyed elegy for that world. — A. O. Scott [The full review is here]

The review overestimates the talent of Lauren Ambrose, the actress who plays Heather. I thought Ambrose acted with a strained narcissism. Well, perhaps she does suit Heather.

And the review doesn't do service to the film's score. I thought the music was quiet and delicate. It is a film mostly about interiors, after all, and I think the composer, Adam Gorgoni, captured that mood very well.

Here is a good review of the film's music (which says the same thing I'm saying).

Below is a youtube of the music accompanying various scenes from the film.



Here is another link to various pieces from the film.


Dusk on the Upper West Side


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Book: Starting Out in the Evening, by Brian Morton

Film: Starting Out in the Evening, Directed by Andrew Wagner

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Posted By: Kidist P. Asrat
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Saturday, September 14, 2013

Lawrence Auster's Reading List


O Muses! O High Genius! Be my aid!
O Memory, recorder of the vision,
here shall your true nobility be displayed!
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Quote from Dante's
The Divine Comedy: The Inferno, Canto II
Posted by Larry at View From the Right


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Lawrence Auster dared to make a reading list. In this day and age of internet reading, where our attention span is good enough to look for (and click on) links), Larry gave us close to 150 books to read. He has read all of them (he calls his list "personal favorites and recommended books.") He made the list in 2006, as an "unfinished draft," so we can assume that the list is much longer.

I've posted below the titles and authors of the books. If you want to read Larry's commentaries on the books and the authors, his impressions, when he read the books, etc., you can find them at The View From the Right, under the simple title: Reading List.

It is interesting that Larry start his list with the classics, and end it with race and immigration, the transformative powers which are changing the classics of Western, and American, civilization.

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Literature/Classics/fiction

Edith Hamilton
- Mythology

Mary Renault
- The King Must Die
- The Bull from the Sea

Aeschylus
- The Oresteia

Sophocles
- The Oedipus plays
- Ajax
- Philoctetes

Homer
- The Iliad

Dante Alighieri
- The Divine Comedy
-- Inferno
-- Purgatorio
-- Paradiso

Chaucer
- The Canterbury Tales

Shakespeare
- A Midsummer Night’s Dream
- Hamlet
- King Lear
- Richard II
- Henry IV Part I
- The Tempest
- Julius Caesar
- As You Like it
- Much Ado About Nothing
- Macbeth
- Antony and Cleopatra
- The Merchant of Venice
- The Sonnets

Charlton Ogburn
- The Mysterious William Shakespeare.

John Donne
- Woman’s Constancy
- The Sun Rising

Milton
- Paradise Lost

Jane Austen
- Pride and Prejudice

Wordsworth
- Intimations of Immortality
- She was a phantom of delight
- I wandered lonely as a cloud

Samuel Taylor Coleridge
- Kubla Khan
- The Rime of the Ancient Mariner

Percy Bysshe Shelley
- Ode to the West Wind

Keats
- Ode to a Nightingale
- Ode on a Grecian Urn

Victor Hugo
- Les Misérables

Herman Melville
- Moby Dick

Walt Whitman
- Leaves of Grass

Mark Twain
- Huckleberry Finn

Dostoevsky
- The Brothers Karamazov

Tolstoy
- Anna Karenina

Bernard Shaw
- Man and Superman
- Caesar and Cleopatra
- Pygmalion
- Saint Joan

Oscar Wilde
- The Importance of Being Ernest

Henry James
- The American
- The Bostonians

Thomas Mann
- The Magic Mountain

Yeats
- Collected Poems

T.S. Eliot
- The Love Song of J. Alfred Prufrock
- The Waste Land
- Ash Wednesday
- The Four Quartets

Hemingway
- The Collected Short Stories of Ernest Hemingway
- The Sun Also Rises
- For Whom the Bell Tolls

F. Scott Fitzgerald
- The Diamond as Big as the Ritz and Other Short Stories

Ayn Rand
- The Fountainhead
- Atlas Shrugged

Alexander Solzhenitsyn
- One day in the life of Ivan Denisovich
- The First Circle
- The Gulag Archipelago, vol I

Philosophy

Plato
- The Republic

Aristotle
- Nichomachean Ethics

Cicero
- The Republic

Augustine
- The City of God, Books XI and XII

Machiavelli
- The Prince

Leo Strauss
- Natural Right and History

Eric Voegelin
- The New Science of Politics
- Israel and Revelation
- The World of the Polis
- Reason: The Classic Experience

Irving Babbitt
- Democracy and Leadership

C.S. Lewis
- The Abolition of Man

Allan Bloom
- The Closing of the American Mind

Nietzsche
- The Birth of Tragedy
- The Gay Science
- Thus Spoke Zarathustra
- The Twilight of the Idols
- Geneaology of Morals

Seraphim Rose
- Nihilism: The Revolution of the Modern Age

Mircea Eliade
- Cosmos and History

The Bible

The King James and the Revised Standard Version

The Torah

The Prophets

The Four Gospels and the Revelation

Genesis


The Book of Common Prayer
- 1928 edition.

William Neil
- Harper’s Bible Commentary

The Pentateuch and Haftorahs
- Ed. J.H. Hertz

Consciousness; alternative and non-Western religions

P.D. Ouspensky
- In Search of the Miraculous
- A New Model of the Universe
- Tertium Organum
- The Psychology of Man’s Possible Evolution

Rodney Collin
- The Theory of Celestial Influence

Maurice Nicoll
- The New Man
- The Mark

Meher Baba
- God Speaks
- Discourses

The Upanishads, trans. by Swami Prabhavananda and Christopher Isherwood

The Bhagavad Gita

Mary Baker Eddy
- Science and Health

History and civilization

Henry Bamford Parkes
- Gods and Men: The Origins of Western Culture
- The Divine Order

H.G. Wells
- The Outline of History

Arnold Toynbee
- A Study of History

Thucydides
- The Peloponessian War
- Thucydides

Polybius
- The Rise of the Roman Empire

Edward Gibbon
- The Decline and Fall of the Roman Empire

Plutarch
- Lives

Will Durant
- Story of Civilization
- In Caesar and Christ
- In The Age of Reason
- The Age of Voltaire

Winston Churchill
- History of the Second World War
- A History of the English Speaking Peoples

Paul Johnson
- Modern Times

Bede
- A History of the English Church and People

Paul Murray Kendall
- Richard the Third

American history and biography

James Thomas Flexner
- George Washington

Willard Sterne Randall
- George Washington

George Washington
- Circular letter to the States
- First Inaugural
- Farewell Address

Thomas Jefferson
- First Inaugural

Joseph Ellis
- Founding Brothers
- American Sphinx

Willard Stern Randall
- Benedict Arnold

James McPherson
- Battle Cry of Freedom

Steven Oates
- With Malice Toward None

- Selected Writings and Speeches of Lincoln

Lloyd Lewis
- Sherman: Fighting Prophet

Conservatism

James Burnham
- The Suicide of the West
- The Machiavellians

Burke
- Reflections on the Revolution in France

Ed. by Russell Kirk
- The Portable Conservative Reader

Raoul Berger
- Government by Judiciary

Liberalism

Rousseau
- Essay on Inequality

Locke
- The Second Treatise of Government

James Kalb
- The Tyranny of Liberalism

Science

Darwin
- The Origin of Species

Francis Hitching
- The Neck of the Giraffe

Norman Macbeth
- Darwin Retried

Arthur Koestler
- Janus

Richard Rhodes
- The Making of the Atomic Bomb

Race and immigration

Wilmot Robertson
- The Dispossessed Majority

John Higham
- Strangers in the Land

Madison Grant
- The Passing of the Great Race

Jared Taylor
- Paved with Good Intentions

William McDougall
Is America Safe for Democracy?
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Posted By: Kidist P. Asrat
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Friday, September 13, 2013

Our Western Heritage

I found this interview "Our Western Heritage" on the website National Association of Scholars. It was conducted in 2012.

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- Carol Iannone is editor-at-large of Academic Questions.
NAS publishes a quarterly journal, Academic Questions, which explores the vices and virtues of the contemporary university.
- Robert George is Princeton University's McCormick Chair in Jurisprudence, amongst other titles and qualification.

Editor’s Note: Robert George, well known to readers of Academic Questions, holds Princeton’s celebrated McCormick Chair in Jurisprudence and is the founding director of the James Madison Program. He has served on the President’s Council on Bioethics and as a presidential appointee to the United States Commission on Civil Rights. He is also a member of the Council on Foreign Relations. His publications include In Defense of Natural Law, Making Men Moral: Civil Liberties and Public Morality (Oxford University Press, 2001), and The Clash of Orthodoxies: Law, Religion and Morality in Crisis (ISI, 2002), as well as numerous scholarly articles and reviews in such journals as the Harvard Law Review, the Yale Law Journal, the Columbia Law Review, the American Journal of Jurisprudence, and the Review of Politics. Prof. George is a recipient of many honors and awards, including the Presidential Citizens Medal, the Sidney Hook Memorial Award of the National Association of Scholars, and the Stanley Kelley, Jr., Teaching Award from Princeton’s Department of Politics. For the record, he is also a finger style guitarist and bluegrass banjo player.

Iannone: Why is Western Civilization worth studying in your view?

George: By any standard of measure, the intellectual, moral, religious, political, economic, scientific, technological, artistic, architectural, and literary achievements of the West are extraordinary. It would be foolish not to study them, examine their roots, and explore the complex relationships among them, such as the relationship between Western religious ideas and the development of science. Our students are—as we ourselves are—inheritors of these achievements. Their culture—and, thus, their lives—have been shaped by them. They deserve to understand them. And if they are to maintain all that is worth maintaining, and reform what needs reforming, and pass along to their own children a vibrant and healthy culture, they need to understand them.

Iannone: What about Western Civilization is unique?

George: Science as we know it could not have developed outside of the West. It is a great gift of the West to the entire world. Moreover, ideas of natural law, republican government, civil rights and liberties, and the dignity, inviolability, and fundamental freedom of the individual are fundamentally Western insights. These, too, are gifts to the world. Many of these insights were hard-won. Some might yet be lost. Certainly, they have not always been honored, or fully respected, by the people of the West or their political, religious, and cultural institutions. Still, they are exceptional achievements.

Iannone: How important are Judaism and Christianity and the moral values they foster to the maintenance of Western Civilization? Are there other essential elements of Western thought that should be part of any curriculum—certain books, ideas, developments?

George: If there were no Judaism, there would be no Christianity. There is a profound sense in which Christianity is the “other” Jewish religion emerging from the transformations in Jewish faith and practice that resulted from the destruction of the second Temple in Jerusalem. If there were no Christianity, there would be no Western civilization. Most of the great achievements of the modern West were underwritten by Christian, and therefore also by Jewish, religious and philosophical and moral ideas. Of course, pre-Christian Greek and Roman thought, many of the aspects of which were taken up into Christian thought, were also profoundly important. Can these achievements be maintained if Jewish and Christian faith collapses in the West? Can Western ideals and institutions flourish when utterly severed from their religious roots? Frankly, I doubt it. But it appears that we will know for sure before too long. Much of Europe today is engaged in a vast experiment that will tell us whether cultural and political achievements whose historical roots are in religion can be sustained and nurtured in a cultural and political milieu of extreme secularism.

Iannone: How do the more secular ideas of the Enlightenment fit into the foundations of the West? Is the West a balance of the two elements, religious and secular?

George: Certainly Enlightenment thinkers made important contributions to the Western tradition, particularly in the advancement of personal and political liberty. The “secularism” of the Enlightenment is, however, frequently exaggerated. First, it is worth noting that there was no single Enlightenment, but several different Enlightenments. Some Enlightenment, or proto-Enlightenment, thinkers—especially among the French—were hostile to Christianity and religion generally; others were not. Some Enlightenments were infected with anti-religious zealotry—again, the French Enlightenment especially—others, such as the Scottish Enlightenment, much less so.

Second, there were important Enlightenment figures who developed and built on the classic Christian understanding of a legitimate realm of the secular—an understanding that Christians have always found rooted in Christ’s command to render unto Caesar what is Caesar’s and unto God what is God’s. Of course, Christianity is opposed, as it should and must be opposed, to secularism, as an anti-religious ideology that seeks to drive religion from the public sphere and, in its more radical forms, to eliminate religious faith altogether. Christianity does not, however, oppose the idea of the secular or the idea of a legitimate secular domain. Indeed, Christianity can claim the lion’s share of the credit for inventing it.

Moreover, classic Christianity is not fideistic. It holds, rather, that faith and reason are mutually supportive and equally necessary to a rich and accurate understanding of our condition as human persons. In our own time, this conviction was reaffirmed by Pope John Paul II in the opening sentence of his great encyclical on the relationship of faith and reason, Fides et Ratio. There, the late pontiff said that “faith and reason are like two wings on which the human spirit ascends to contemplation of truth.” This is entirely compatible with what is noblest and best in Enlightenment thought.

Iannone: You have written of the liberal arts as enabling the student to gain self-mastery? Why is that important?


George: Self-mastery is important because it is a basic, irreducible dimension of the well-being and fulfillment of rational creatures—and, as Aristotle taught, we human beings are just that: creatures whose nature is a rational nature. Moreover, self-mastery—the capacity to exercise rational control over one’s emotions, passions, and desires and direct them toward good and upright ends—is indispensable to the project of self-government. If we believe in republican democracy, as we should; if we believe in the ideal of free persons, who participate as equal citizens in the project of self-government, as we should; if we believe in the dignity and rights of the individual in a regime of ordered liberty, as we should; then we must dedicate ourselves to educating young people for self-mastery. A political regime of self-government can only be sustained among people who are capable of governing themselves. People incapable of self-mastery will quickly prove to be unfit for self-government.

Iannone: The idea of self-mastery seems so opposite of everything that is promulgated today—being true to ourselves, satisfying our desires, if it feels good do it. Do you think self-mastery has appeal for most of today’s students, cultivated so much to the opposite? After all, what you might call slavery to the self many call freedom and liberation.

George: Well, it is Plato and Aristotle versus Charlie Sheen and Lady Gaga, isn’t it? And the old Greeks aren’t given equal time on MTV and E! But, look, as a teacher, I have faith in our young people. They are capable of rising to meet great challenges, if only we, their elders, are willing to issue those challenges and point the way. Fundamentally, the problem is not with their generation, it is with ours. It was our generation that lost faith, not only faith in God, in any meaningful sense, but faith in man—in reason, in beauty, in truth, in moral, aesthetic, and intellectual standards of any type, in the very ideas of good and evil, right and wrong. It was ours that dubbed ourselves the “Me Generation,” and proclaimed the imbecilic doctrine of “if it feels good, do it.” We are the generation that produced widespread slavery to “recreational” drugs, a sexual revolution that has had devastating consequences for millions of children—especially in the poorest and most vulnerable sectors of our society—and the collapse of intellectual standards.

True, the result is a culture in which young people have been cultivated to identify “authenticity” with acting on one’s feelings and desires, whatever they happen to be. But that is not set in stone. We really can challenge our children and our students to have higher aspirations and to lead richer, nobler lives. Young people in every generation are naturally idealistic. They are open to prophetic voices that challenge the moral-cultural status quo. They are capable of being inspired. It’s just a matter of doing it. So I have an idea: let’s do it.

Iannone: What particularly about study of the past can counter the debased form of freedom or misconception of freedom popular today?

George: I believe in going forward with all cylinders firing. Expose students to the thought of the Greek philosophers and Roman jurists. Make sure they know all about the Hebrew prophets and the Christian saints. Teach them about the philosophical and theological ideas that made possible the emergence of modern science and the development of republican democracy. For heaven’s sake, introduce them to Shakespeare and Bach and let them see why Snoop Dogg and Hank Williams, much as I love him, don’t represent quite the same level of achievement.

Iannone: Do you see the freedom and self-mastery this study brings as something that goes beyond the individual to be of benefit to society, or is it mainly about the individual?

George: The last man on earth, living out his remaining days with no hope of interaction with another human being, would still do well to strive for self-mastery. His nature would remain a human nature, a rational nature. His flourishing would still require developing his own character in a way that would place reason in control of passion or desire. He would not be morally free to live the life of a brute animal. He would be a fool if he did so. But, of course, none of us is that man. All of us are members of various communities—the community of a family, the community of a faith, the community of a locality and a nation. For those communities to flourish, for them to have integrity, their members must be people who are masters of themselves. Someone who imagines that there can be well-integrated communities composed of poorly integrated individuals, imagines (to borrow words from Thomas Jefferson) “what never was and never will be.” Communities pay a heavy price for the lack of self-discipline, self-control, and self-mastery among their members. This is a proposition for which ample empirical data is available, alas.

Iannone: Do you see a study of Western Civilization enabling students to realize what is at stake in upholding the West and defending it from those who would destroy it?

George: In my experience as a teacher—and as a student myself—I find that the more deeply people understand Western civilization and its achievements, the more profoundly they appreciate them. So, it seems to me, in the face of contemporary challenges to Western ideals and institutions, there is nothing more urgent than deepening the understanding of our people of the traditions of faith, thought, and social and political life that made the West. Does this mean that we should neglect the study of non-Western traditions or denigrate their achievements? No. That would be a decidedly un-Western thing to do, since a cardinal tenet of Western philosophy is to embrace truth and value wherever they are to be found. We mustn’t fear teaching our young people about other cultures, but we should not disdain to teach them about their own.

Iannone: What would you say are outstanding flaws or shortcomings in Western thought that need corrective, perhaps from the study of other cultures or sources?

George: It is a tenet of Western thought that the whole world—indeed, the whole of reality—is to be explored, investigated, reflected about, and to the maximum possible extent understood. Furthermore, wisdom is to be cherished, no matter its source. That is why ethnocentrism and chauvinism are antithetical to the Western tradition, though there are certainly people in the West who have fallen into these errors. And so, as recent popes, among others, have taught, there is much to be gained from engagement with Islam, for example, and the great religions of the East, such as Hinduism and Buddhism. The West is truer to itself when it is open to such engagement.

Iannone: We think of American values and by extension Western values as universal. But is there a way to maintain our own cultural heritage while still being open to the entire world?

George: Well, yes, we do believe that our values are universal values. We do not suppose, for example, that the principle of the profound, inherent, and equal dignity of each and every member of the human family is true in Utica but not in Uganda. We believe it is true always and everywhere, and that all people and all peoples are bound under the moral law to honor the principle in the design of their political and social institutions and in the practices of their governments and societies. So we reject any form of “multiculturalism” that regards opposition to slavery, for example, or the reduction of women to the status of sexual objects, as mere local Western values that do not hold in non-Western societies or morally bind non-Western governments. But that does not mean that non-Western societies must be made to look just like Western ones or even that we should wish that they did. Our most basic values are universal; but many of our institutions and practices are not. There is vast room for cultural variety reflecting different histories, religious and other traditions, prudential judgments, and even preferences. Between moral relativism, which is contemptible, and chauvinism, which is appalling, there is a sensible and rationally completely defensible position that distinguishes between universal—and fundamental—principles of right and wrong, justice and injustice, and non-basic matters on which a diversity of cultural practices is to be expected, accepted, and, in many cases, celebrated.

Iannone: And what about our own culture? Do we have a right to preserve it as the means through which the universal principles are realized in our present situation? Some cultures may not be compatible with our own; Islam permits polygamy, for example, as part of the religion itself. Can our culture tolerate polygamy, whether officially or unofficially recognized? Are there times when we would have to say that theoretically the universal values hold, but not every culture is able to profess them at present to the same level as ours and that therefore their absorption into the West is problematic?

George: Yes, of course we have the right to protect the principles and institutions we believe serve the dignity of the human person and the causes of justice and the common good. If we judge, as we should, that marriage is the exclusive conjugal union of one man and one woman, and that the institution of marriage is the foundational unit of society whose role is indispensable to the transmission of core values and virtues, then we must fight off efforts to redefine marriage as something that it isn’t or weaken it in any way. We certainly should not recognize polygamous or polyamorous sexual partnerships as marriages. Does the rejection of polygamy mean that Muslims, whose religion accepts the practice, cannot be good citizens? I think not. Vast numbers of Muslims in America are already proving themselves to be good citizens—excellent citizens. As the Muslim scholar Hamza Yusuf has noted, no Muslim is required to practice polygamy or advocate laws permitting it, and Muslims are bound by Islamic teaching to respect the laws of the communities in which they dwell.

It is worth noting that there was a time not long ago when Catholics in America were held in suspicion because their religion did not profess a robust doctrine of religious freedom. This was understandable on both ends. The teachings of nineteenth-century popes included statements about religious freedom, as well as democracy itself, that made Protestant Americans very nervous about their Catholic neighbors. On the Catholic side, the Church’s understanding of the meaning of democracy and religious freedom had been shaped not by the American experience, but by the ideology and practices of the French revolutionaries. The wonderful thing is that American Catholics—and others, including Catholics living under atheistic tyranny in Soviet puppet states—were able eventually to persuade their mainly Western European church leaders that embracing a robust conception of democracy and religious freedom would not entail accepting such French Revolutionary ideas as religious indifferentism or relativism, or the notion that religious vows don’t bind, or that it is immoral to take them, or the complete subservience of the Church to the state. Once that happened, the Church became a powerful force for democracy and religious freedom across the globe.

Iannone: As a follow-up, could there be a difference between those who have fallen into ethnocentrism and chauvinism, as you say above, and those who conscientiously believe we can’t be so open as to allow our principles and the culture that transmits them to be overtaken by those who think and practice very differently, who can use our openness to undermine us?

George: Absolutely. But that means vigilance not only against those who would undermine our principles and institutions in the name of religion, but also against those who would undermine them in the name of secularist, including liberal secularist, beliefs.
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Posted By: Kidist P. Asrat
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