About.......Contact.......Society.....................
Showing posts with label Homosexuality. Show all posts
Showing posts with label Homosexuality. Show all posts

Friday, June 30, 2017

Mississauga Pride


Simons' website has this image on one of its pages.

The Square One Shopping Centre has declined the pride invasion. There is nothing in the mall except for a couple of stores. Nothing explicit that is. The largely Third World multicultural population is not yet ready for such postmodern declarations as "Gay Pride Week." Go to Toronto and that's a whole other story. Toronto's news media were having a blast :-) covering the story. We got image after image of decadent men gyrating through Yonge Street.

Mississauga had no pride manifestations on its usual festival site - Celebration Square? What? There's nothing to celebrate?

But hidden amongst the cacophony of merchandise in the region's largest mall, right next to Celebration Square, there were a couple of stores which held their own, despite their discreet proclamation.

I took a photo of both. But their websites were happy to assist.


Simons front store window in the Mississauga's Square One
[Photo By: KPA]


Simons (a Montreal store) gives us its "Djembe Collection," for drum beats picking up on those rhythms.

Simons is big on bi.









The four images above are from Simons' website.

---------------------------------------------------------------------------------------

Urban Outfitters has a whole theme around gayness, or bi-ness to be precise.


Happy Pride: Square One Mississauga's Urban Outfitters store
[Photo By: KPA]


Their Square One poster featured Taylor Bennett who is profiled thus:
With June being Pride month, Urban Outfitters is releasing their UO Pride Collection benefitting GLSEN and featuring Chance the Rapper’s younger brother Taylor Bennett. The collection that sees a range of T-shirts, baseball hats, a tapestry and more comes in colors that embody the LGBTQ community. Prices range from $24 – $39 USD and 100% of all the profits from the items sold will be donated to GLSEN, an organization who’s mission is to ensure a safe environment for LGBTQ students in schools. The Pride collection is now available for purchase at Urban Outfitters and online.

The Chicago hip-hop artist, who came out as bisexual at the beginning of the year, has had nothing but success in his career stating that, “Honesty and being yourself is something that I believe should always be celebrated, whether it’s in hip-hop or everyday life.” On his collaboration with UO, “As an independent artist and entrepreneur, it’s great to find partners like Urban Outfitters who share that core value of recognizing individuality during Pride Month and throughout the year.”


Square One Mall in Mississauga with a couple of discreet Taylor Bennett posters
[Photo By: KPA]


UO is also into all variations of bi:








[All above images from various Urban Outfitters sites)


“Honesty and being yourself is something that I believe should always be celebrated"


Thursday, June 8, 2017

The Lesbian Vs. God and Other Stories


Hernandez (middle) performing Future Folk with her
Sulong Theatre Collective, which is a play based on:
"The experiences of Filipino women who come to Canada to work as nannies.
They send their wages back home, and hope after 24 months of employment
to become citizens and bring their own families to Canada."
[Source]
------------------------------------------------------------------------------------------------------------------------------------------

Our Neighborhood Filipina Story Teller portrayed in my recent post Catch Them When They're Young has quite a resume writing for "minors":
Kilt Pins
In a Catholic high school in Scarborough, Ontario, amidst low-income housing, difficult race relations, and poverty, a young woman struggles to find her sexual identity. In this sincere portrayal of high-school kids pitting the voice of God and thousands of years of scripture against the voice of their own bodies, Kilt Pins cheekily asks “Is your kilt pin up or down?”
Scarborough
Scarborough is a low-income, culturally diverse neighbourhood east of Toronto, the fourth largest city in North America; like many inner-city communities, it suffers under the weight of poverty, drugs, crime, and urban blight. Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighbourhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education.

And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father’s mental illness; Sylvie, Bing’s best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father.
And more on Arsenal Press
Arsenal Pulp Press is a book publisher in Vancouver, Canada with over 300 titles currently in print, which include literary fiction and nonfiction; cultural and gender studies; LGBT and multicultural literature; cookbooks, including vegan; alternative crafts; graphic novels; visual arts; and books in translation. We are interested in literature that engages and challenges readers, and which asks probing questions about the world around us.
Of course these welfare artists insist that they get their financial sources from tax payers money courtesy of the Canadian Government (don't let the meek word "suggests" deceive you):
Catherine Hernandez suggests several strategies to redress...deep-seated inequities: hiring more diverse teaching staff; educating teaching staff in anti-oppressive values; implementing a “much more aggressive diverse application process to ensure the student body is multicultural”; and diversifying the curriculum beyond the canonical (white) narratives that dominate it [Source].
Here is one such publisher which has produced Hernandez's children's book, that petitioned successfully to get LGBQT children's books into the school curriculum through the Toronto District School Board:
"Flamingo Rampant is a micro-press with a mission – to produce feminist, racially-diverse, LGBTQ positive children’s books. This is an effort to bring visibility and positivity to the reading landscape of children everywhere. We make books kids love that love them right back, bedtime stories for beautiful dreams, and books that make kids of all kinds say with pride : that kid’s just like me!" tells us the publisher
Hernandez has had a lot of practice with her own daughter who is now around thirteen years old. Hernandez appears to have been married to a male from whom she separated soon after her daughter's birth. She writes: "I parented Arden with little to no help from friends, family and my spouse at the time." She says that her children's book M is for Mustache: A Pride ABC Book was inspired by her daughter.
"Based on my many marches with my own child during what she called “Rainbow Time”, the book will follow in an ABC format, a small child as she gets ready to march alongside her mama at Pride.“


Previously-married-to-a-male Hernandez has a daughter now thirteen
Just shy of Arden’s 12th birthday, she approaches my partner, Nazbah, in the kitchen. “I’m so glad you’re my stepparent,” she says. Nazbah considers spearing a fork into their own heart in order to stop the tears of joy.[Source]

Monday, June 5, 2017

Catch Them While They're Young


M is for Mustache: A Pride ABC Book
Written by Catherine Hernandez
Illustrated By Marisa Firebaugh


The Friendly Neighborhood Lesbian Storyteller is coming to a gallery near you!

The Art Gallery of Mississauga hosts regular "story telling" session for toddlers.

Here is information on the upcoming session at the gallery's website:
AGM TOT SPOT!
with Guest Storyteller Catherine Hernandez
NEXT SESSION: FRIDAY, JUNE 16, 10 - 11 AM

Art Gallery of Mississauga | 300 City Centre Drive | FREE & Open to the Public

Monthly on Fridays, 10 - 11 AM, join us at the gallery for an hour of stories, movement and imagination!

Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner and the Artistic Director of b current performing arts. Her one-woman show, The Femme Playlist, premiered at Buddies in Bad Times Theatre as part of the afterRock Play Series, co-produced by b current, Eventual Ashes and Sulong Theatre. Her children’s book, M is for Mustache: A Pride ABC Book was published by Flamingo Rampant in 2015.
The AGM recommends 1 parent for every 2 children at Tot Spot!
Below is the accompanying image:


Listen to the animated lesbian-Filipna-Canadian story-teller Catherine Hernandez tell the tale of the girl with the 'stache.



From Hernandez' website:
Catherine Hernandez is a proud queer woman of colour, radical mother, activist, theatre practitioner, burlesque performer, writer, the Artistic Director of Sulong Theatre Company and the owner of Out and About Home Daycare.
Yes: the owner of Out and About Home Daycare.

Below is Hernandez at her daycare with a hijacked audience (image from her twitter page) reading a fellow Canadian multicultural transsexual's children's book (catch them while they're young) The Boy and the Bindi.


And here she is in her pretty pink dress protesting Charlottetown Junior Public School's last minute cancellation of her book reading for preschoolers. This was her daughter's former school in Scarborough, a suburb of Toronto.


But your friendly neighborhood daycare story-teller isn't as pleasant as she looks.


Catherine Hernandez: Ethnic Lesbian
Twitter prole photo

Nor as Canadian as she seems

Dancing at the Kapisanan Philippine Centre for Arts & Culture

#marriedanamerican should really be #marriedanamercanindian





Monday, February 9, 2015

The Anti-Life We Are Allowing To Trample On Our Morality

I didn't want to post this yesterday, trying to keep what we have of the sacred as sacred. Yes, Sunday is sacred.


What makes a beautiful and feminine woman
decide this is the life she wants?


Here is what's on Page Six of the New York Post:
Rosie O’Donnell and her wife, Michelle Rounds, have split, and O’Donnell will leave “The View” next week to concentrate on her family’s well-being, Page Six can exclusively reveal.

[...]

Rosie’s rep, Cindi Berger, confirmed the marital split...in a statement Friday night: “I can confirm that Rosie and her wife Michelle split in November. Rosie has teens and an infant at home that need her attention. This has been a very stressful situation. She is putting her personal health and family first. ABC has been wonderfully understanding and supportive of her personal decision to leave ‘The View.’ Next week will be her last.”

[...]

O’Donnell, 52, married her second wife Rounds in private in June 2012. In 2013, they adopted a baby girl, Dakota. She has four other older kids.
So, this is Rosie's second "marriage" and a potential second "divorce."

I really don't care what this coarse, narcissistic, obese woman does with herself, but she has managed to ruin the lives of five innocent lives, whom she shuttles around as "her children." One day, she will be accountable to these lives, if not directly demanded by them, then through a judgment that will not leave her out.

We are also not excused. We let her step on, creating her life as she treads on our morality.

Below are the lurid details, which I had to search around the web to ensure accuracy. This creature has had five children through a myriad of means, including artificial insemination, foster-child care, adoption, and has had "married" and "divorced" status along the way to three women.

Rosie O'Donnell's Anti-life life:
1. _

Adopted son Parker Jaren O’Donnell in 1995 (born 1995)


----------------------------------------------------------

2. _

a. Together with Kelli Carpenter since 1998

b. Married Carpenter in 2004, divorced Carpenter in 2007

c. Tried to adopt with Carpenter:
Mia (b. 1997, O'Donnell's foster child 2000 - 2001)
Mia was taken from O'Donnell in 2001 as per the Florida state law prohibiting same-sex family adoption

d. Carpenter adopted O'Donnell's adopted kids :
Parker in 1995 (born 1995)
Chelsea in 1997 (born 1997)
Blake in 1999 (born 1999)

e. Artificial Insemination via Carpenter:
Vivienne, born 2002

----------------------------------------------------------

3. _

a. Married Michelle Rounds in June 2012, separated from Married Michelle Rounds in November 2014

b. Adopted with Michelle Rounds:
Dakota, 2013 (b. 2013)
----------------------------------------------------------


O'Donnell with "her children" in 2010:
Clockwise from back row center: Blake, Parker, Vivienne, and Chelsea



O'Donnell with the infant Dakota in October 2013
Adopted at one month old in February 2013, Dakota is ten months old here


----------------------------------------------------------
Posted By: Kidist P. Asrat

Monday, January 12, 2015

It's All About the He


Bay of Pigs is an essential part of your Up Your Alley® weekend [Source]

Audience member: My fiancée and I are allergic to dogs, so we're thinking of getting a pig.

(At this point I assumed this fiancée was a "she.")

Wendy (of the Wendy Show): How about a cat?

Audience member: He's allergic to cats.

There you have it (it's all about the"he"...).

I suppose it shouldn't come as a surprise, but each time I am surprised, when the hes, shes (and maybe some day the its) are all mixed up.

----------------------------------------------------------------------------------------------
Posted By: Kidist P. Asrat

Monday, December 29, 2014

When America Was Great


Museum of Modern Art, New York
1956
Medium:Photolithograph
Dimensions:40 x 25"
Gift of TWA


The poster is from a recent Antiques Roadshow. Below is the appraisal's description. It was appraised at $2,500 - $3,000 in the original show in 2009, and upgraded to $3,000 - $4,000 in 2014.
APPRAISER: Let me tell you what I know about the poster. The obvious thing is, it's advertising TWA flights to New York City. The artist signs his name "David." His full name is actually David Klein. And David Klein was a very prolific artist who worked for TWA. This is one of the more recognizable and one of the more popular images that he designed.

GUEST: Really?

APPRAISER: And in my opinion, it is one of the greatest graphic depictions of Times Square. It's a geometric, abstract, almost kaleidoscopic view of this great, bustling intersection. He captures all of the energy, he captures all of the excitement, he captures all of the movement. It was done in 1956. It is part silk screen and part photolithograph. The bright colors have been put on through a silk-screen process, and everything else has been printed via a lithographic process. One of the other great things about the poster is the plane that's on top. The plane is the TWA Lockheed Constellation, known as the Connie. They were considered great airplanes. You see it was a propeller plane. There's the propellers on it. And with these planes, TWA was able to initiate full service to Europe. Now, I'm not the only one who likes this poster. The company liked it so much that they continued to reuse it in subsequent years. But there's one way that we can tell that this is the original printing and not a later printing, and that is the airplane itself. Because shortly after 1956, propeller planes were phased out and jet planes were phased in. So subsequent printings of this poster don't show the detailed Constellation. They show the silhouette of a jet plane actually leaving a vapor trail behind it as it goes across.

GUEST: Oh, my goodness.

APPRAISER: And not only was the company very fond of this poster, but this poster is also in the permanent collection of the Museum of Modern Art in New York-- MOMA.

(More here)

David Klein with his TWA Poster in his studio
Circa 1957


Here is some background on David Klein:
David Klein was born in El Paso, Texas in February of 1918. He moved to California where he attended the Art Center School [later renamed the Art Center College of Design] in Los Angeles.

During the 1930s, he was an active member of the California Watercolor Society. This group of artists often chose to paint watercolors depicting scenes of everyday life in the cities and suburbs of California. They painted directly with little or no preliminary pencil drawings, and used paper as a ‘color’ in a new and creative way.

[...]

David served in the army during the Second World War, where he illustrated numerous army manuals.

[...]

After the war, David Klein moved to New York and settled in Brooklyn Heights, where he would live for the next 60 years. In 1947, David Klein worked as an art director at Clifford Strohl Associates, a theatrical advertising agency. Before long, David became the illustrator of choice for many of Broadway’s best-known shows of the period.

[...]

David Klein is best known, however, for his influential work in the field of travel advertising. During the 1950s and 1960s, David Klein designed and illustrated dozens of posters for Howard Hughes’ Trans World Airlines (TWA).

David’s use of bright colors depicting famous landmarks in an abstract style defined the state of poster art of the period. In 1957 a TWA poster of New York City became part of the permanent collection of the MoMA (Museum of Modern Art) in New York. These works are much imitated and to this day define the excitement and enthusiasm of the early years of post-war air travel. They defined the Jet Set style and have become iconic.

David won numerous awards for Excellence from the Society of Illustrators for his TWA work, including his Philadelphia, Boston, Switzerland, and Africa poster art.

[...]

David Klein also created poster and advertising artwork for several films, most notably Barry Lyndon, The Island of Dr. Moreau, and The Gauntlet.

Although Mr. Klein worked commercially almost until the end of his life, in his 70s, he returned to his artistic roots, focusing his creative energies on watercolor paintings.

[...]

Examples of David Klein’s early and later watercolors are in the permanent collection of the Department of Interior’s Museum.

[...]

(The complete article is here)

Here is the current American Airlines ad:


The image is from the New York Times, which heads the article as:
American Airlines Focuses on the Glory Days of Flying


The text reads:
Modern life affords so few opportunities to think, to relax, to think. Make the most of every moment aloft between New York and Los Angeles or San Francisco. Rest in the fully flat seats of the First and Business Class cabins. Or enjoy enhanced Wi-Fi and a full library of entertainment at every seat. And with the most daily nonstop flights, you can make the most of your time on the ground too.

The legend is back.

NEIL PATRICK HARRIS // ACTOR
This is the homosexual actor who recently "got married," and "has" two children, juxtaposed with the real legend, Gregory Peck. And look at the guilty smirk on Harris' face. And see how Peck stands with such confidence.

There are other interesting things about the dyptich. There is the strange, thin pole, as though keeping Harris "straight." The pole also makes a clean separation between Gregory Peck and Harris, as though there is (or should be) no connection between the two. It is more like Harris who is being kept away, framed away, from Peck.

And there is the insipid colors on the out-of-focus plane positions far behind Harris. Whereas the out-of-focus plane behind Peck is still large enough, and close enough to the foreground, to show its impressive importance, but it is clearly Peck who is the real subject of the picture.

(I don't wish to go on with photo analyses, but the second image with Grace Kelly and Julianna Margulies shows a cropped "American" in the contemporary photograph. We only see ..."ican." This could be "Puertor---ican" since Margulies looks Hispanic. And look at her emaciated face next to the wholesome looks and cheery smile of Grace Kelly)


Grace Kelly and Julianna Margulies
juxtaposed for the American Airlines Ad


Man and technology have diminished in our modern era.
-------------------------------------------------------------------------------------------------------------------------------------------------------------
[Posted By: Kidist P. Asrat
-------------------------------------------------------------------------------------------------------------------------------------------------------------

Thursday, October 2, 2014

Stigmatized and Unrecongized



I would have thought that this pretty little girl would be the perfect addition to this contra-cililzation "couple."

Two lesbians got a sperm from a bank in Chicago, and it ended up that it was of a black man's. The little girl that was born is a mixed-race girl. She looks cute and bubbly. Who wouldn't want a girl like that, even by mistake?

Well, these lesbians are suing the sperm bank for "wrongful birth and breach of warranty."

Their argument is:
Jennifer [Mommy 1] lives each day with fears, anxieties and uncertainty about her future and Payton’s future.
For example:
...getting a young daughter’s hair cut is not particularly stressful for most mothers, but to Jennifer it is not a routine matter, because Payton has hair typical of an African American girl. To get a decent cut, Jennifer must travel to a black neighborhood, far from where she lives, where she is obviously different in appearance, and not overtly welcome.
And this big fear by Mommy 1:
One of Jennifer’s biggest fears is the life experiences Payton will undergo, not only in her all-white community, but in her all-white, and often unconsciously insensitive, family. Despite her family’s attempts to accept her homosexuality, they have not been capable of truly embracing Jennifer for who she is. They do not converse with her about her gender preference, and encourage her not to “look different,” signaling their disapproval of her lesbianism. Though compelled to repress her individuality amongst family members, Payton’s differences are irrepressible, and Jennifer does not want Payton to feel stigmatized or unrecognized…
"Stigmatized or unrecongized" as a black girl?

What this weird women wanted is their own "creation" of a baby.

This would make a great Saturday Night Live skit.
Lesbians Decide What Kind of Sperm They Want.

Mommy 1: He shouldn't be too macho. You know the problem with macho men.
Mommy 2: Yes, and he should look something like us.
Mommy 1: You mean he should be white? I don't think so. I mean, we would know how to bring up a child who is stigmatized or unrecongnized. Plus, the more different we are, the less stigmatizing and unrecongizing the world would be, and then we would all fit in.
Mommy 2: I don't want our child to be an experiment gone wrong.
Mommy 1: Well, yes. OK, I see your point. Maybe next time, when the world is ready for her.
Mommy 2: And when I'm more ready too. You were always more progressive than me.
All jokes aside, these are nasty, inhuman creatures, who have no reverence for life.
-------------------------------------------------------------------------------------------------------------------------------------------------------------
Posted By: Kidist P. Asrat
-------------------------------------------------------------------------------------------------------------------------------------------------------------

Friday, February 21, 2014

Young and Lesbian: An Epidemiology?


Photo from article: "Why Are So Many Girls Lesbian or Bisexual?"
From: Psychology Today, April 3, 2010
By: Leonard Sax, M.D., Ph.D.
These look just like the "college best friends" I write about below


Camille Paglia would be intrigued, and horrified, at this epidemiology of young lesbians, cheerfully "coming out."

Ellen Page

A few days ago, a young and pretty Canadian actress, Ellen Page, declared herself to be a closeted lesbian, that is until that moment when she dramatically announced to whomever bothered to listen: I am gay. She's twenty-six years old at this announcement, but according to her testimony, had been "gay" for years.

I found her video on New York Post's online magazine. It was hard to miss on the side column, with a large photo of her, and the headline: Tired of Hiding: Actress Ellen Page Comes Out as Gay.

Page is claiming that her "coming out" is "a personal obligation and a social responsibility [direct quote from the Youtube video here around the 6:15 minute point]", and is otherwise a "traumatic event."

It is interesting to see that "coming out" in the 21st century is such a traumatic event. I thought we had taken care of stigmatizing gays and had built such a "gay-friendly" world that people were declaring their "true selves" left and right.

Well, not so, apparently. Page tearfully declares: "I suffered for years because I was scared to be 'out'." Didn't Ellen DeGeneres, pernicious model for this young Ellen, present us with her "secret" in a similarly tearful declaration seventeen years ago? Her career hasn't diminished one bit, and in fact has climbed since then.


Page with "girlfriend"

Page was brought up in Eastern Canada, in Nova Scotia. Her parents divorced when she was very young, and her father remarried. She lived with her mother. At about fifteen, Page enrolled herself into a "Buddhist" school, with no academic structure, which emphasized "the arts." And her parents let her do this! Divorce is hard on any child, but a structureless one must be harsh. And worse, letting a young teenager decide on her intellectual and spiritual development is bizarre and cruel.


This is the best I could find of Page with her father.
Notice the impish quality of the father, who looks like he's out with his young son.
But then, what young boy would cling to his father like that?
Such is the ambiguous world of tomboys.



Page with her mother, looking dishevelled and tomboyish.
It looks like they were both out at some film premier,
where Page should be the star, but is upstaged
by her glamorous mother instead.


But homosexuality is still a social stigma, if "celebrities" have to make such a spectacle about their revelations. Normal, ordinary people, those that pay the films and shows to keep DeGeneres and Page in the business, will momentarily forget a gay person his abnormality as long as he entertains well. And if homosexuality is still a social stigma, despite all these efforts to normalize it, then it will always remain a social stigma.

And just in time for Obama's homosexual agenda of equality, the PBS program To The Contrary "for women, by women, about women" (my quotations), recently included on its panel an articulate black women, Danielle Moodie-Mills. I wondered who she was, with her caked make-up and twisted stringy hair.


Moodie on the PBS program To The Contrary, which aired a couple of weeks ago

I found her profile all over the internet, since then. She is a black lesbian, whose "marriage" to another black woman was profiled in the black magazine Essence. They "married" in 2010, Mills at 32 and Moodie 31, and had "been together" for six years before that, which means they started this "relationship" when they were in their early twenties.


Danielle Moodie, on the right, is:
Advisor, LGBT Policy and Racial Justice
Center for American Progress
Nonprofit; 201-500 employees; Think Tanks industry
(LinkedIn Profile)

and Ayisha Millis is:
...a Senior Fellow and Director of the FIRE - Fighting Injustice to Reach Equality - Initiative at the Center for American Progress, where her work explores the intersections of race, class, and sexuality.
(Center for American Progress profile)


They both have those fluffy jobs just right for the Obama administration.

There must be dozens around of these "lesbians" around. Girls walking around the mall, chattering and laughing: are they "young lesbians"? Two young women eating in a restaurant, fancily dressed: are they on a date? A couple, women, picking up a young child at school or at a day care: are they "two mommies"? And so on.

I won't go into the pshychological, sociological, cultural, School of Camille Paglia, analyses of what I'm seeing here, so here's my take, at least on Page, Moodie and Mills.

There is very little information forthcoming from Moodie or Mills. I've gleaned what there is available from various websites and their limited profiles in their professional biographies.

Danielle Moodie

Danielle Moodie's only reference to her parentage (from searches around the web) is a photo of hers which appeared on Essence magazine's profile of her "marriage" to Mills. Here, she is standing with a white man, named as Michael Newton, with the caption:
Dance with my father:
Danielle’s dad Michael Newton was close to tears as he danced with his daughter on her momentous day.
Below is the photograph:


(Source: Essence)

I can only assume that she is adopted. Where is the mother (adoptee)? Why isn't she included in this wedding photograph? Is she white, black, other? What kind of life does Moodie live where she has to call a white man as her father? How hard was this for her as a young girl (assuming she was adopted young)? How much harder did it get as she became conscious of her surroundings? How did the "black identity" culture affect her identity? How does she relate to whites, and to the ominous White Male?

Aisha Mills


Mills posted this photo collage on her Twitter page

Mills was raised by her grandmother. She says: "My entire life, I have been a variety of 'others'." According to this post, her mother had "Asian" roots, but she was raised by her Black Southern Baptist grandparents, as the photos above indicate. The young, light-skinned boy in the photo collage could be her brother. Or is it her dressed in a suit and tie (as a young boy)? Yes! It is her, dressed as a young boy! So there you have it.

And here below, she is with her MIU (Missing in Upbringing) father at her "wedding."


Source: Essence
Caption reads:
Proud Father
Aisha's father James Mills kisses his baby girl and wishes her well on her big day

The Mills-Moodie "elegant affair" of a wedding included baskets of chopsticks. The ominous absence of her Asian mother must make even the most mundane of Chinese objects into bouquets of roses.


Chopstick elegance: Reaching for some ephemeral roots
Chopsticks, from the wedding album by Essence
The caption reads:
Cocktail Hour:
"The entire wedding was an elegant cocktail affair," Aisha explained.


------------------------------------------------------------------------------------------------------------------------------------------------------------

So what is it with these young women?

- A chaotic home life?
- A dearth of masculine young men?
- Feminism pushing young women into competitive and masculine roles, where they clash with young men, both the feminized ones, and those standing their ground and refusing to give in easily to a woman-centric environment?
- Black men, unavailable, either through their dropping out of society, their criminality, or their immaturity?
- Men refusing marriage, for fear of repercussions by feminism, and feminist women and wives?
- Men refusing to mature, and instead delaying marriage and family?
- The culture pushing, through mass media, that marriage is not necessary?
- Divorce rates, and divorce costs, high, especially (uniquely?) for men, so many opting out of marriage?
The "otherness" of the other becoming too much to deal with for young people these days, who are not used to natural competitions, and eventually some awe for differences.
- The desire by contemporary people to make everyone the same, to avoid this natural alienness or otherness of people?
- The desire to make everything "nice" and non-combative?

In any case, this "best friend" type of coupling is well suited for girls in college and high school. Under normal conditions, these girls will find staunch mothers or grandmothers who will diminish that seductive environment, give them the education they need, and place them in situations where they can lead a normal life, including building their future families.

The women I've described above are traumatized orphans, both in society and in family. They have been dealt with difficult beginnings. Since their families didn't come through for them, then it should have been up to the larger society to see that they didn't normalize their ambiguities and abnormalities. Now, as adults, they are seeped in their iniquities, and will only further terrorize society. Our job now is to see that they don't do that, and that they don't amass more vulnerable innocents along their way.
------------------------------------------------------------------------------------------------------------------------------------------------------------
Posted By: Kidist P. Asrat
------------------------------------------------------------------------------------------------------------------------------------------------------------

Tuesday, September 10, 2013

Arms Akimbo



This is an image posted at Laura Wood's The Thinking Housewife, on a post about a mother who lets (or wishes that) the inner gayness of her child manifest itself. In fact, the story is about how this mother was so disappointed that her heterosexual son revealed to her that he is indeed heterosexual.

The photograph is from the Huffington Post, with this title: My Son Wore a Dress for Halloween.

There are many evils that emanate from this image:

- What young boy makes an independent decision to "do" anything? The ultimate arbitrators and judges are the parents. "No, you cannot wear that costume for Halloween." "You will eat your porridge, or no breakfast." "I'm not paying for that toy/DVD/popsicle/school trip. When you earn your own salary, you can buy whatever you want."

- What mother will plaster photos of her children on the internet, for all to see, judge, and even plan a trip to her home to find this fairy child?

- What mother (and father, because the father is presumably in agreement, even if his wife didn't initially consult him, since everyone will tell him about that photograph) wants her son to be a daughter (or a boy-child to be a girl-child?)

One other strange and disturbing aspect of this image is that this mother doesn't want her son to be any kind of girl (although she's playing around with the theme of a "fairy").

She has her son standing with his arms akimbo, in a sexualized pose.

What young girl stands with her arms perched on her (non-existent, immature) waist?

I suppose the falseness of the scenario manifests itself in that exaggeratedly sexualized pose. This boy reconstructed as a girl by the evil mother has to exaggerate, and corrupt, femininity in order for his transformation to be credible.

All children like to play dress-up. Somehow, this evil mother convinced her young son that it was ok to dress as a fairy girl. And as with all children, he used his imagination to play that role to its fullest. Where did he learn to use his imagination to that fullest?

Of course, it is not just the evil mother who builds these scenarios for her son: she has a whole army of complicits, from the school teachers, television personalities, politicians, and really almost everyone else that is now in our liberal world.
-------------------------------------------------------------------------------------------------------------------------------------------------------------
Posted By: Kidist P. Asrat
-------------------------------------------------------------------------------------------------------------------------------------------------------------

Thursday, May 9, 2013

The Ugly Views of Catherine Deneuve: "For adoption, against marriage"


Deneuve contre le "mariage pour tous" by LeHuffPost

For adoption, against marriage
By Tiberge
May 8, 2013
GalliaWatch

Catherine Deneuve is against "Marriage for Everyone". But her reasons are cynical and useless to the cause of French traditionalists. In the video the still-beautiful actress is supportive of homosexual adoption (without marriage) and indifferent to marriage in general:

- (...) It left me a bit perplexed. I would have preferred them to improve considerably the PACS and to allow adoption for homosexuals. People marry a lot and divorce a lot. So eventually, it may become a frightening situation. There are very few children at school with a father and a mother.

- It's a question of rights.

- Yes, but they could have just as easily improved the PACS so that the rights would be the same. Why marry when everyone is divorcing? It's bizarre. But the issue of rights could be settled differently without marriage.

Reminder: The PACS is the existing civil union agreement for heterosexual and homosexual couples. Adoption is a complex question. The PACS allows for adoption, but only by an individual. The couple, as a couple, cannot adopt. Filiation is established through the person who is adopting. That person alone has parental authority.

Note: I have always found Catherine Deneuve to be exquisitely beautiful, even as she aged. But there was a cold-blooded cynicism in her look and her words in this video that betray her lack of connection to or affection for traditional France, traditional Western civilization and traditional morality. While it is true that people marry and divorce frivolously, this is not a reason for throwing gasoline on the fire. Being a woman with two illegitimate children, and no interest in marriage (she was married once, and wore black, presumably to show off her disregard for convention) she could not bring herself to endorse a family values program that would attempt to strengthen marriage and in-wedlock birth, encourage young couples to stay together, and restore the teaching of French culture in the schools to better revive a feeling of national identity and personal responsibility. She does none of that. It is not in her nature. Instead she advocates adoption for anyone, and marriage for no one, essentially in line with François Hollande's thinking.

We have always known that celebrities often live more turbulent personal lives than the rest of us. In recent decades that has changed and what the general population does today makes the Hollywood stars of yesteryear look like stodgy stay-at-homes. But the fact that "everybody does it" does not make it right. For a famous personality to say that it does is cause for concern. What makes her think that a gay couple joined by the PACS will not do as much harm to the child as a married couple who divorces? And what makes her think that PACS couples will not separate, leaving as much, if not more, destruction behind as those who divorce?

-------------------------------------------------------------------------------------------------------------------------------------------------------------
Posted By: Kidist P. Asrat
-------------------------------------------------------------------------------------------------------------------------------------------------------------