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Wednesday, July 30, 2014

Commerce, Government, Art and Gardens in Philadelphia


Philadelphia Museum of Art

Below is background on the Classical Revival style of the Philadelphia Museum of Art:
The City Council of Philadelphia funded a competition in 1895 to design a new museum building,but it was not until 1907 that plans were first made to construct it on Fairmount, a rocky hill topped by the city's main reservoir. The Fairmount Parkway (renamed Benjamin Franklin Parkway), a grand boulevard that cut diagonally across the grid of city streets, was designed to terminate at the foot of the hill. But there were conflicting views about whether to erect a single museum building, or a number of buildings to house individual collections. The architectural firms of Horace Trumbauer and Zantzinger, Borie and Medary collaborated for more than a decade to resolve these issues. The final design is mostly credited to two architects in Trumbauer's firm: Howell Lewis Shay for the building's plan and massing, and Julian Abele for the detail work and perspective drawings...

[T]he new building was not completed until 1928.[11] The facade and columns are made of Minnesota dolomite.

The wings were built first, which helped assure funding for the completion of the design.
The building's eight pediments were intended to be adorned with sculpture groups. The only pediment that has been completed, "Western Civilization" (1933) by C. Paul Jennewein, features his polychrome sculptures of painted terra-cotta figures, depicting Greek deities and mythological figures. It was completed in 1933...The building is also adorned by a collection of bronze griffins, which were adopted as the symbol of the museum in the 1970s.
I'm a New Yorker, through and through. You cannot convince me of the superiority of any other city, even of Paris.

But, each city has its own wonders, charms and hidden gems. The Bourse is one such place in Philadelphia. And another, just a few block away, is Washington Square. And New York may boast of the Metropolitan Museum of Art, but the gorgeous setting of the Philadelphia Museum of Art, on a hill, surpasses even what the Met folks can say. And it's collections are no less inferior. And does Central Park have any fantastic fountain garden to rival the Longwood Gardens near Philadelphia?

I've posted photographs of these sites which I took while in Philadelphia this past July.


The Italian Water Garden
Longwood Gardens
Kennett Square, Pennsylvania (about one hour west of Philadelphia)


From the Longwood Gardens website:
Pierre S. du Pont's love of water and fountains is embodied in this Garden. Simple color tones—green grass, blue-tiled fountains, and sparkling water—create a serene atmosphere.

Mr. du Pont planned every aspect of this Garden, from the sculptures inspired by his travels in Italy to the hydraulic calculations. He even calculated that the northernmost pools needed to be built 14 feet longer than the southernmost pool to appear symmetrical from the viewing deck.

Experience a piece of Europe with this water delight that runs from 9:00 am–5:45 pm daily mid-April through mid-October, and until dusk on Friday and Saturday evenings during the Festival of Fountains.

The basic layout of this much-loved water Garden, which debuted in 1927, is similar to one seen by the du Ponts at the Villa Gamberaia near Florence, Italy.
From the Longwood Garden vistor's guide booklet:
Experience the world of Longwood Gardens...a place to see dazzling displays that elevate the art of horticulture...a place to enjoy performances that inspire..a place to watch majestic fountains spring to life...a place to relax and reconnect with nature. Discover our storied heritage and the indelible mark of our founder, Pierre S. du Pont, which guides us today. Explore one of the great gardens of the world, from our 4-acre Conservatory to the splendor of our outdoor gardens spanning 1,077 acres. Step out of your world and into ours...where the living things that surround you make you feel more alive.
The fountains are by no means the only features. The small guide booklet lists 22, from an "Idea Gardne" to various floral gardens, including wisteria and roses. Here is a link to the outdoor garden map. The letters and number thumbnails pop-up images of the various gardens, and clicking on them will take you to the website. Number 21 is the Italian Water Garden.


The Bourse Building

The Bourse's website describes it thus:
The concept of the Bourse – meaning a place of exchange – was brought to Philadelphia in 1890 by George E. Bartol, a prosperous Philadelphia grain and commodities exporter. While in Europe, Bartol visited the great Bourse in Hamburg, Germany. Upon his return to the United States, Bartol called together the most influential businessmen and merchants in the city, asking them to pool their resources to construct the city’s own business center – a Philadelphia Bourse.

In 1891, The Philadelphia Bourse Corporation was formed, with each member subscribing $1,000 to the project, by an issue of stock and mortgage. The Bourse motto was “buy, sell, ship via Philadelphia”.

The Philadelphia Bourse Building, the first commodities exchange in the United States, was completed in 1895. The building was one of the first steel-framed buildings to be constructed. Three types of masonry were used on the facade: Carlisle redstone, Pompeian buff brick and terra cotta. Inside were large columns and pilasters leading to a balcony surrounding the main floor. Bow-top girders were used to support a skylight at the third floor.

The original tenants included the American Telephone and Telegraphy, Moore and McCormick Steamships lines, grain dealers and export agents. The Bourse was also home to the Commercial Exchange, the Maritime Exchange, Grocers and Importers Exchange and the Board of Trade.
Quotations from all markets of the world and the latest financial news were received by telegraph. Pneumatic tubes connected the Bourse directly with the United States Post Office. A trading clock signaled the end of every business day.

Kaiserman Company, Inc. purchased The Philadelphia Bourse Building in 1979, renaming it “The Bourse” and adapting it as a retail and office complex. The restoration took three years to complete at a cost of $20 million, twenty times greater than the original construction cost.

Celebrating over 100 years as a center for commerce and trade, The Bourse is listed on the National Register of Historic Places. Today, it is one of Philadelphia’s leading commercial complexes, home to 24 retail and food service stores and more than 50 businesses.
I went to the Bourse with my friend in Philadelphia, and we had a simple deli meal in the food court of soup and sandwich.

The current Philadelphia stock exchange is at 19th and Market, not that far from the Bourse.

The Philadelphia Washington Square, which has the same name as the more famous (or infamous) New York Washington Square, is a peaceful park, unlike the hustling and bustling New York version.


The Tomb of the Unknown Soldier lies within Washington Square,
with a statue of George Washington, and an Eternal Flame

Messages engraved on the wall of the memorial include:
- "Freedom is a light for which many men have died in darkness"

- "The independence and liberty you possess are the work of
joint councils and joint efforts of common dangers, suffering
and success [Washington Farewell Address, Sept. 17, 1796]"

- "In unmarked graves within this square lie thousands of
unknown soldiers of Washington's Army who died of wounds and
sickness during the Revolutionary War."
I took a photograph of the statue of Washington, at the far end of the square, which stands above the Tomb of the Unknown Revolutionary War Soldier.

Below is background on the Tomb of the Unkonw Revolutionary Soldier:
The Tomb of the Unknown Soldier lies within Washington Square, one of the five public parks drawn up by William Penn in his 1682 blueprint for Philadelphia...Shortly after the square was laid out, however, it was being used for a wholly other purpose — as a potter's field. Burials in Washington Square, then known as Southeast Square, started in 1706 and continued for nearly nine decades...

Over the years, the square has been used for as a fishing hole, cow pasture, hayfield, duck hunting spot and, appropriately enough, revival meeting grounds. 19th-century historian John Watson reports that slaves would be allowed to congregate in the square during holidays, sometimes numbering a thousand, holding dances and honoring the "sleeping dust below."

By 1776, that "sleeping dust" would be jolted by the first Revolutionary War casualties...

By 1778, Washington Square would be the last barracks for the thousands of soldiers who died in Philadelphia. Though not much fighting occurred in Philadelphia during the War, plenty of dying did. Those wounded in nearby battles, or those sick with disease would be brought to Philadelphia. Pennsylvania Hospital and the Bettering House for the Poor filled quickly. Churches became ad-hoc hospitals...

The Colonials reoccupied Philadelphia in 1778 and became the jailkeepers at Walnut Street. No doubt a Millgram (where prisoners became the guards) atmosphere prevailed when the prisoners got to run the jail. Suffice it to say, many bodies of British soldiers also are interred in Washington Square, sleeping far from Albion's shores.

In 1793, the square once again served as a mass graveyard — this time for wracked, malodorous victims of the 1793 Yellow Fever epidemic. Philadelphia was literally decimated by this epidemic: about 5,000 of Philadelphia's 50,000 residents were taken by the Aedes mosquito. Washington Square was once again pockmarked by stench-filled trenches.

After the square stopped functioning as a cemetery, a beautifying campaign was undertaken. In 1825, the Square was renamed in honor of George Washington, commander of many of the troops buried within it.

In 1954, the Washington Square Planning Committee decided to erect a memorial that honored both George Washington and an unknown soldier from the Revolutionary War. There was a catch, however — culling a Colonial soldier from this unmarked golgotha. In 1956 an archaeological team was brought in. They dug nine holes mostly in the northwest quadrant of the square. The first bodies the archaeologists discovered belonged to three paupers, identifiable as such by canvas sheets serving as their graveclothes. Some exploratory holes found single graves, not the mass trenches which were being looked for. Finally, a mass grave was found. Within they found the undisturbed remains of a male about twenty years old within the vestiges of an oak coffin. The skull had evidence of a "plow wound" which could have been caused by a musket ball. This would be the body used for the unknown soldier.

Though the archaeologists and historians were fairly certain that this disinterred body was that of a Revolutionary War soldier, one vexing question still remains: Was the body that of a British soldier or a lad who had just started calling himself by a new name — American?...

The tomb of the Unknown Soldier itself bears the words: "Beneath this stone rests a soldier of Washington's army who died to give you liberty."

An eternal flame flickers in front of a wall bearing a replica of Jean Antoine Houdon's famous bronze sculpture of George Washington. Washington's eyes gaze eternally upon nearby Independence Hall.

The Longwood Gardens, Small Lake

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[Photos By: KPA]

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Posted By: Kidist P. Asrat
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The Credit River


View of Credit River (Showing Mississauga [Indians] Fishing in Canoes, 1796
Elizabeth P. Simcoe(1766-1850)
Grey wash and Watercolour
National Archives of Canada C-13917 (NAC 2320)
Published in Frank A. Dieterman, Ed. Mississauga, The First 100,000 Years
Toronto: Mississauga Heritage Foundation and eastend books, 2002, P. 20

About Elizabeth Simcoe:

Elizabeth Simcoe (September 22, 1762 – January 17, 1850) was an artist and diarist in colonial Canada. She was the wife of John Graves Simcoe, the first Lieutenant Governor of Upper Canada.

She was born Elizabeth Posthuma Gwillim in the village of Whitchurch, Herefordshire, England, daughter of Lieutenant Colonel Thomas Gwillim and Elizabeth Spinckes. Her father died before her birth, and her mother died shortly afterwards. After her baptism, which was on the same day as her mother's burial, she was taken into the care of her mother's younger sister, Margaret. In commemoration of her mother, Elizabeth was given the middle name Posthuma. Margaret married Admiral Samuel Graves on June 14, 1769 and she grew up at Graves's estate, Hembury Fort near Honiton in Devon.

On December 30, 1782, Elizabeth married John Graves Simcoe, Admiral Graves' godson. They had four daughters and one son, Francis Simcoe, for whom they named Castle Frank. Katherine Simcoe, their only daughter to be born in Upper Canada, died in childhood of pneumonia; she is buried at Fort York Garrison.

[...]

Elizabeth Simcoe left a diary that provides a valuable impression of life in colonial Ontario. First published in 1934, there was a subsequent transcription published in 1965 and a paperback version issued at the turn of the 21st century, more than 200 years after she wrote it. Lady Elizabeth Simcoe's legacy also includes a series of 595 water-colour paintings that depict the town of York. She was responsible for the naming of Scarborough, an eastern Toronto district, after Scarborough, England. The townships of North, East and West Gwillimbury, just south of Lake Simcoe in central Ontario, are also named for the family.


Elizabeth Simcoe (1790)
Mary Anne Burges (British, 1763-1813)
Watercolour12 x 15.1 cm
Library and Archives Canada


More on Elizabeth Simcoe at the Dictionary of Canadian Biography.


Niagara Falls, Ontario, July 30, 1792
Elizabeth Simcoe
Archives of Ontario

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Illustrating Natural Histories

Below are a couple of photographs I took at the Natural Histories exhibition in the American Museum of Natural History, in New York. There is a lot to say about this magnificent exhibition. First, in the exhibition's display Curiously Colorful Fishthough, there was a time when fantasy played a large part in illustrating scientific books, as the intricate cataloging of the earth's species proceeded. And the beauty of shells, this time with realistic and beautiful illustrations of shells and mollusks, is shown in the display Dawn of Malacology.

(There are many sites which have posted photos of the collection. But, I took my own partly to keep a record of what I saw and liked - I also took photos of the descriptive logs below the illustration - and partly to test out a non-flash environment for my camera.)

For more information on the collection, this site on the AMNH's website is a useful start.

More links and information along the way may provide what you might wish to obtain.

The best thing, of course, is to visit this marvelous place. And make sure the research library is open when you get there.

Curiously Colorful Fish



The following information was obtained from the American Museum of Natural History online catalog.

Title: Three species of fish with engraved text from Renard's Poissons, écrevisses et crabes

Medium: Engravings

Coverage: Moluccas, Indonesia

Rare books: Asia, Fishes, Fishes -- Pictorial works, Ocean life

Publisher: American Museum of Natural History Research Library

Artist: Renard, Louis, b. ca. 1678

Department / Discipline: Ichthyology

Collection Name: Rare Book Collection

Note: Natural Histories: Extraordinary Rare Book Selections from the American Museum of Natural History Library: 1. De Groot Tafel-visch (additional descriptive text in french): 2. De Spits-Neus (additional descriptive text in french): 3. Ican Suangi (additional descriptive text in french)

Author: Renard, Louis, b. ca. 1678

Book Title: Poissons, écrevisses et crabes, de diverses couleurs et figures extraordinaires, que l'on trouve autour des isles Moluques et sur les côtes des terres australes :peints d'après nature durant la régime de messieurs Van Oudshoorn, Van Hoorn, Van Ribeek & Van Zwoll, successivement gouverneurs-généraux des Indes orientales pour la Compagnie de Hollande

Imprint:Amsterdam: Chez Reinier & Josué Ottens, 1754

Date of Publication: 1754

Language of Publication: French

Call Number: RF-74-F

Bibliographic Number: b10715216

Description of Publication: 2 v. in 1 ([14] p., 43 leaves of plates; [6] p., LVII leaves of plates) : chiefly col. ill. (459 figs.) ; 42 cm. (fol.)

View this book in the library catalog: http://libcat1.amnh.org/record=b1071521

Here is the information describing the illustrations of "colorful fish" provided by the museum:
Fish, Crayfish and Crabs of Diverse Colors and Extraordinary Forms
Author: Louis Renard (1678-1746)
Illustrator: Samuel Fallours (active 1706-1712,
and other local artists
Imprint: Amsterdam, 1754
Two volume work illustrated with
100 hand-colored, engraved plates

Dreary tropical fish? Sounds like an oxymoron.
But when Europeans saw collections of preserved
tropical fish in the 1700, their colors had long
since faded away and they resembled familiar, drab-colored,
local fish.

No wonder the work of Louis Renard was so exciting.
Renard collected and published fantastically colored
and boldly patterned images of fish and
crustaceans from the Dutch East Indies (now Indonesia).
Artists included Dutch East India Company
soldier Samuel Fallours and anonymous locals
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The Dawn of Malacology



The following information was obtained from the American Museum of Natural History online catalog.

Title: Voluta magnifica (Cymbiola magnifica) from Martini's Neues systematisches Conchylien-Cabinet

Medium: Engravings

Rare books: Aquatic invertebrates, Shells, Shells -- Pictorial works, Mollusca

Publisher: American Museum of Natural History Research Library

Collection Name: Rare Book Collection

Artist: Unknown

Original Caption: Voluta magnifica

Author: Martini, Friedrich Heinrich Wilhelm, 1729-1778

Book Title: Neues systematisches Conchylien-Cabinet

Imprint: Nürnberg : Bey Gabriel Nikolaus Raspe, 1769-1829

Date of Publication: 1769-1829

Language of Publication: German

Call Number: 14-A

Bibliographic Number: b10657605

Description of Publication: 12 v. in 13 : col. ill. ; 30 cm.

View this book in the library catalog: http://libcat1.amnh.org/record=b1065760

Here is information close to the display "Voluta magnifica" provided by the museum:
In the late 1700s Friedrich Heinrich Wilhelm Martini,
a German physician and devoted shell collector,
set out to describe and illustrate all mollusk species.
His work was cut out for him: estimates indicate that
there are more than 100,000 species. Martini did not
fulfill his dream, dying after only the third volume
of descriptions. Johann Hieronymus Chemnitz, a German
clergyman, continued his work. Unfortunately, the authors
did not adopt the binomial naming system introduced by
Linnaeus in 1758, rendering the series less scientifically
useful than it might have been.
The shells are beautifully illustrated
and scientifically accurate.
[Photos By: KPA]

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Monday, July 28, 2014

Meet Me at the Plaza

Here again are photographs I took, this time of the Plaza Hotel, at the foot of Central Park, in New York.


Grand Army Plaza, Fifth Avenue between 58th and 60th Streets "gateway to Central Park"
In front of the Plaza Hotel


The "clouds" behind the monument are some kind of "contemporary installation." I tried to avoid them, but they're cleverly positioned so that all photographs have a view of them.

This piece of "art," competing for space and view with the grand sculpture, is by:

Olaf Breuning
[who's] photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art. Between fiction and reality, fairytales and triviality, nightmare and bad jokes, the artist immerses his viewers decidedly into a pop and kitsch culture which is constantly being revisited. His works, made up by quotations, collages, and sampling are highly built. Often hyper-aestheticized, they work as "script-machines" reminiscent of special effects from the film industry. The artist frequently holds up a distorting mirror to his viewer, posing several questions of critique and play.
Olaf Breuning was born in 1970 in Schaffhausen, Switzerland. He lives and works in New York and Zurich. [Source]
My, my: codes, "high" and "low" art, from fiction to reality...Such grand ambitions for cardboard cut-outs of cloud shapes!

And about Kadist Art Foundation, which represents Breuning:
Kadist Art Foundation encourages the contribution of the arts to society, conducting programs primarily with artists represented in its collection to promote their role as cultural agents.
Artists as cultural agents!

Such is the fate of cities these days. Look at these "installations" on Park Avenue, recently subjected to a documentary film: Paley on Park Avenue: New York City, and funded by important cultural institutions:
In October 2013, the Peabody Award-winning series Craft in America, airing nationally on PBS, will feature Paley as their final Forge artist in Season 5. In the series, Forge artists reveal in their own words what makes their work – and the lives they lead – unique. [Source]
I feel sorry for New Yorkers.

Back to the Grand Army Plaza, and the beautiful Plaza Hotel (photos are below).
The bronze statue, regilded by the Conservancy in 2013,
depicts Union General William Tecumseh Sherman by American artist
Augustus Saint Gaudens. When the Civil War ended, Sherman moved to
New York City and rode his horse and carriage through Central Park daily. [Source]
The female statue is:
"Victory", her one hand holding a palm frond and the
other pointing the way forward. [Source]

Pomona, Roman goddess of orchards
The fountain is topped by the bronze allegorical figure Pomona,
the goddess of abundance, who is seen holding a basket of fruit.
Sculptor Bitter died in a car accident while working on the figure
and it was completed by his assistant, future Parks monuments
conservator Karl Gruppe and also Isidore Konti.
The fountain was dedicated in 1916. [Source]



Entrance to the Plaza Hotel, on 5th Avenue and 59th Street
The French Renaissance château-style building was
designed by Henry Janeway Hardenbergh and opened
to the public October 1, 1907. [Source]

Portrait of Eloise, painted by Hilary Knight, ca. 1956
Ever since the original Eloise book,
“Eloise: A Book for Precocious Grownups,”
was published in 1955 by Simon and Schuster,
Eloise’s spirit has imbued the halls of the Plaza,
the hotel where the fictional character roamed and
the real author, Kay Thompson, lived.
(In 1998, the Plaza was deemed a literary landmark
for its role in the series.) [Source]


Mosaic floor tiles in the lobby


Mosaic floor tiles in the lobby


Floral carpet in the Palm Court


Gold chairs in the Palm Court


Palm leaves and marble


Marble caryatids representing the Four Season
Most guide books describe these figures as "caryatids." [Source]
But that is technically incorrect, since
Caryatid is the name given to an architectural column
which takes the form of a standing female figure.

At least two of these figures are clearly male
(one old and one young)





Stained glass ceiling in the Palm Court

More on the architectural and cultural history of the Plaza here.

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Saturday, July 26, 2014

Lalique in New York


[Photo By: KPA]

Here is a Lalique vase I photographed at the Madison Avenue Lalique store. In my enchantment, I forgot to see (or ask - just out of curiousity) what the price was.

The Lalique online store has it listed:
Poseidon vase
Limited edition to 99 pieces
Turquoise crystal
16.53 lbs / 7.50 kg
H 11.61" L 14.17" W 6.73"

Item Currently Not Available Online
$19,500.00
I guess I missed my chance in NYC.

There's also a tiny seahorse figurine (height 3.82"), which goes for $340...But, I wouldn't even bother with that, given its inferior design (look at the crude cut of the seahorse's head).
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Movies and Morals


Woody Allen, Mia Farrow and Soon-Yi in 1992


Allen Family, 2014

I've been a fan of Woody Allen for a while. I think I've watched all his movies, and I've written about his recent films (here, here and here). But, these films are his post-scandal movies, and don't have that biting, self-depracating humor that was quintessential Allen.

He got caught in an incestuous scandal with the adopted daughter of his mistress (Mia Farrow's Korean adopted daughter Soon-Yi). He continued his affair with Soon-Yi (who was 19 by then) after his split with Farrow, and later married Soon-Yi in 1997.

History repeats itself, and Allen and Soon-Yi adopted two children together, who are now in their early teens. One is "Asian" the other blonde and white. One for each of them, I guess.

Below is Allen with Soon-Yi in 2014. Granted Allen is now seventy eight, but he looks like an centenarian. Morals have a way of catching up with you.


Mr. and Mrs. Allen in 2014, at 78 and 44

Allen has a new movie out called Magic in the Moonlight. I guess it is reflex action, by now for Allen, to make movies. He can probably make them in his sleep. But, a film critic at National Review Online has this to say about the film:
In short, Magic in the Moonlight is thin on plot, dialogue, and characterization, and it cannot persuade us that the central romance is real — but it’s gorgeous to look at. You can’t hope to see anything more beautiful onscreen this year than the lives of the genteel wealthy, in the south of France, 1928.
Which is pretty much my point in my review of his latest films: Allen can make films, and even still has the aesthetic eye, but what is the point of his films? Beauty alone is not enough, as I begin to discover in my literary project, by book: Reclaiming Beauty. Allen has never returned to Manhattan, where his true voice was loud and clear. Yes, those contemporary New York stories, and characters, can be a little annoying, but there was an authenticity about them, and some kind of moral judgment for the judgments they make.

Now, instead, he hops around European cities, and travels as far back as he can in time, as though he's running away from truth.

I suppose that's what we should expect from him from now on. What a pity.

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At The Cloisters: Summer 2014 Edition

I've been to the Cloisters in New York numerous times. Each time, I never tire of taking photographs of the building, and the sparkling Hudson. The New Jersey Palisades are a formidable view while I have my packed lunch perched on one of the walls surrounding the compound. The M4 Bus looks like it was planned just for me, taking me from doorstep to doorstep, which no car, with the lengthy walk to the parking lot, could offer.

Below are the photos I took of my last visit. It was quiet, even though I went on a Sunday, and at the peak visiting season, in July.

Across on the New Jersey Palisades, on the Englewood Cliffs, is St. Peter's University, a Jesuit institution. It seems proper that the Cloisters should have this view.


The Hudson River








George Washington Bridge, on the Hudson


The New Jersey Palisades, across the Hudson




This looks like a purple finch. It was adamantly fending us off, with its noisy chirping.


The New Jersey Palisades


Saint Peter's University, Hudson Terrace, Englewood Cliffs, New Jersey


Flowers in the Bonnefont Herb Garden








The Bonnefont Herb Garden

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Friday, July 25, 2014

Fountains for Everyman

Celebration Square is another of Hazel McCallion's additions to beautify Mississauga. The idea, I expect, was to unify the city through common celebrations.

What we do have is a successful "square" where a large shallow area is filled with water during the summer, with fountains, and a skating rink in the winter. There is a pleasant cafe at one end, and around the three other sides, seats with shelter from the sun (or rain, or snow).

I took the following photographs of close-ups of the bubbling water.










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New York Public Library, Collections, Architecture, and History

I went to the New York Public Library to view to view the library’s copy of The Declaration of Independence, handwritten by Thomas Jefferson, which was on display from from June 27 to July 3, 2014 in the Celeste Bartos Forum.

I took a photograph of this document, and have provided below a link with enlargements of the document from the NYPL collections. I was surprised at Jefferson's small, neat handwriting. If I were a handwriting analyst, I would say that Jefferson was a precise, meticulous person, who wouldn't pass by details. His input, at assessing all the fine points of the document, would have been essential.

The Celeste Barthos Forum (Room 80)
...with its glass ceiling, is influenced directly by the reading room of the Bibliotheque Nationale (1856-75) [in Paris], designed by Henri Labrouste. [Source: Beaux-arts Architecture in New York: A Photographic Guide. P. 41]




The foot of the marble staircase inside the Stephen A. Schwarzman Building


Drinking fountain on the second floor, with a bronze lion's head


A marble wall panel in the Celest Bartos Forum


Thomas Jefferson's autograph copy of the Declaration of Independence
On display in the Celest Bartos Forum from June 27 to Thursday July 3, 2014
Here is the full document, from the NYPL's Digital Collections.


Here is a copy, from the NYPL Digitial Collections, of the top part of the document:



And here is a link to the transcript of the document.


Glass ceiling in the Celeste Bartos Forum of the Stephen A. Schwarzman Building,
Showing the marble panels.


[All Photos By KPA, except for the excerpt of the Declaration of Independence]
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