Laura Wood, at The Thinking Housewife has posted the above image, which was sent by one of her correspondents. It is a crew of multi-culti future girl engineers. On closer inspection, what these girls are really interested in are the pinkness of their toy kitchen cabinets. The full interaction about girls (and women) in men-oriented fields like engineering, is discussed at the site.
What I'm interested in is the expressions of these little girls.
I kind of like the black girl's "come and get me if you want trouble" expression, in the group photo I posted above. I think black girls, and low-income black girls in particular, are at the bottom of the totem pole of American life. I think they have it tough. Being on welfare, as many are, is a mind-numbing life. And as the statistics show, they are single mothers on welfare: i.e their men have abandoned them. So I think this aggressive stance is a form of self-protection, even against those men who may show up for whatever opportunistic reason. Does that translate into the tough job of a construction worker though? I doubt it. Manouevering welfare to bring up a baby is very different from wheeling huge machinery around and planning the construction of a building.
But, then look at the black girl when she smiles. What a pretty face, in a strong and chiseled way, she has. Her behavior seems spontaneous and genuine. She really is smiling. And is happy to smile. I suspect that when she gets mad, it is with equal genuineness.
Next, the Asian girl. She seems the most out of place. She cannot act "tough" following the black girl's lead, and instead looks self-conscious, doing an uncomfortable parody of "tough." What happens when a rough, aggressive working man questions her authority? No smile, or half smile, will work.
And she smiles (or half-smiles) as though she doesn't know how to read the cues for "it is o.k. to smile now." Danger seems to be around the corner.
The white girl has mimicked the black girl the closest. She does look serious and angry. I suspect she could wreck her own little havoc if she had to.
But then her expression later in the video loses that boldness. Not only has she lost her boldness, she seems to be asking, pleading, for help from some higher power. Can she not act tough on her own? Does she need the guidance of her black mentor (or some other mentor - probably a male)? Her toughness seems to fall apart pretty easily.
These girls may be wearing construction helmets, but they show us that they just want to be happy, pretty girls, surrounded by pinks and lavenders. Each in her own way, seems to buckle into being the kind of girl she knows how to be.
In terms of running the world, I would give the white girl a longer piece of the rope. And I would prefer the honesty of the black girl (think if Mammy in Gone with the Wind, who loved and took care of Tara and taught her right from wrong) to the hard-drives of an Asian girl (think of the Tiger Mom, who cannot seem to push - force - even her own children to the level she expects them to reach).
Now, the next experiment would be how this multi-culti assortment of female engineers would really fare in the real world. Would the black woman listen to the Asian? Would the white woman diplomatically lead the group? Would the firm build any bridges while making money? So far, the evidence is negative.
Rosie the Riveter: I Can Do It!
I got the title for this post from Rosie the Riveter. She was the iconic image for women working in factories building war machinery towards the war effort during WWII. The "We Can Do It!" Rosie the Riveter poster was created by J. Howard Miller for the War Production Coordinating Committee of the Westinghouse Company, in 1942.
I used Rosie's image and changed it to look like a black and an Asian woman to parody "inclusive" feminism that contemporary feminists advocate.
But, the reality is that even feminism cannot unite the different races of women. Even if the language is a war against a "common" enemy: Men.
Rosie (and the Rosies) went back to their domestic domains once the men came back from the war fronts.
And all little girls want are pretty, soft toys in pinks and lavenders.
Title: I'm proud ... my husband wants me to do my part
See your U.S. Employment Service / / John Newton Howitt.
Creator(s): Howitt, John Newton, 1885-1958, artist
Related Names:
United States. War Manpower Commission , funder/sponsor
United States. Office of War Information , funder/sponsor
Date Created/Published: [Washington, D.C.] : U.S. Government Printing Office, 1944.
Medium: 1 photomechanical print (poster) : halftone, color.
Summary: Husband, in suit, and wife in working clothes, standing in front of U.S. flag.
Repository: Library of Congress Prints and Photographs Division Washington, D.C.
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Posted By: Kidist P. Asrat
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