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Tuesday, April 30, 2013

Serious Talk While Maneuvering Mini-Skirts

I was looking forward to listening to Diana West's interview at the Presidential Speakers Series sponsored by Embry Riddle Aeronautical University in Daytona where she discusses her upcoming book American Betrayal: The Secret Assault on Our Nation's Character. The youtube video is an hour long, actually an hour and a half, so I found a long stretch of time where I could stay uninterrupted. The first couple of minutes of the video showed me this:



I stopped the video, and went back to the website to see if there was any transcript or a review of the interview. I wasn't going to watch West maneuver a mini-skirt, perched on a low sofa. I was disappointed. Actually, I was angry. I don't see how a middle-aged woman can sit with exposed thighs during a serious interview about a scholarly book.

It's a pity I didn't see West's C-Span interview first, which is posted at West's website, although she's wearing the irritating, ubiquitous pants.



Here is a video where West is being interviewed by the Canadian Michael Coren on his program The Arena. It is a "talking head" video, which is how Coren presents all his interviews. That is probably the best way to conduct such interviews, so our distraction (from the stage, seating, the suits and dresses, etc.) is minimal, and we really do concentrate on what people are saying.

What all this means is that whatever women wear, or do to their hair and their make-up, will be up for scrutiny, and their very presence will detract from the message they wish to convey. And all women will want to "look good," so they themselves, including the serious ones like West, contribute to the visually biased way they are perceived.

I've read West's Death of the Grown up, and wrote on it at Camera Lucida:
I just finished reading Diana West's brilliant book "The Death of the Grown-Up: How America's Arrested Development Is Bringing Down Western Civilization". It is wittily written, and connects many unlikely, but under West's pen, quite convincing, dots. She attributes this death of the grown up to the "birth of the teenager", which she says occurred around WWII. At this time, teenagers' sudden economic ascendancy gave them financial clout and independence to determined everything from pop music to fashion, and where they would go with their newly bought cars, without their parents’ presence, or even rules. But I think her rather mildly argued idea that all this might have started during the War, rather than after, more original. Young boys, left behind without the role model of fathers, and with the changing roles of their working mothers, shifted their attitudes about maleness that made the supremacy of the teenager possible. She writes:
Many of these youngsters...had experienced the war as a period of uprootedness: "Shepherded by women, they moved through strange cities and new schools, with only their teenage scenes in which to make sense of the world" [writes Phillih H. Ennis, rock and roll historian].
And who gave them this teenaged centeredness? None other than Elvis Presley, who:
[W]as too young to have seen action in either World War II or Korea. As a result, he gained prominence as a peacetime idol independent of "the adults who guided the nation through the great war." [This gave Presley] a connection with the younger generation of children, kids whose fathers and older brothers had gone to war.
Those future teenagers, guided by rock 'n' roll and an independent capacity to make their own money, which they used for their own enjoyment including buying their own records, no longer needed (or more accurately, allowed) their parents to intervene in their lives. West's last two chapters deal with our current war against Islam. She attributes our inability to face this war head on to our lost adulthood. So, a cultural abnormality becomes a civilizational disability, which may prevent us from standing up, like true soldiers, to fight this epic battle of our lives. Ultimately, West gives us hope that by identifying and recognizing the problem, as she has done so succinctly, we can be lulled out of our false childhood, and return to our normal and necessary maturity.
Like Pamela Geller, another prominent woman who writes books and appears on television shows (whose celebrity-chic style I briefly mention here), West is also keenly in tune with the encroachment of Islam in American life, and writes about it in her website and articles. Perhaps it is the stages on which they appear - television shows, radio interviews, conferences in exotic locations - that gives these women the impression that they need to glamorize their appearances. And ultimately, what woman doesn't want to look good, if not pretty and beautiful, whatever she's doing?

These are examples of how women are unsuited to public and political lives.
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Posted By: Kidist P. Asrat
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